Chord Progression
ii°-V-i chord progression
a.k.a. Minor ii-V-i
The minor-key version of ii-V-I.
The shape
iiø — V — i
In real keys
The chords, key by key.
Built on the minor scale, so it lives in the 15 minor keys. Every chord below links to its own page — shapes on six instruments, audio, and the mistakes to avoid. Hit play to hear the whole cycle.
All 15 keys
Need a key that is not listed? Use the transposer.
Analysis
What each numeral is doing.
Roman numerals name a chord by its position in the key rather than by its letter, which is why one progression works in every key. Uppercase is major, lowercase is minor, ° is diminished, ø is half-diminished, and a leading ♭ lowers the root a semitone.
- iiø
Supertonic
The classic set-up chord — it leans on the dominant and rarely stands alone.
- V
Dominant
Maximum tension. The leading tone inside it pulls hard back to the tonic.
- i
Tonic
Home. Everything is measured against it and everything wants to return to it.
Heard it before
Songs built on ii°-V-i.
- Autumn Leaves (B section)
Why it works
The reason it sticks.
The minor-key version of ii-V-I. The memorable part is the motion: each chord pulls toward the next in a way that feels both surprising and inevitable, and the cycle closes cleanly enough that you can loop it for three minutes without anyone getting bored.
Once the ii°-V-i pattern is in your ear you will start hearing it everywhere. That is not a coincidence — writers reach for it because the tension-and-release shape is doing the emotional work before the melody even arrives. Change the key and nothing about that changes; only the letters do.
Next
Related jazz progressions
FAQ
Questions people actually ask.
What is the ii°-V-i Chord Progression?
ii°-V-i is a progression built on the iiø, V, i scale degrees of any minor key. The minor-key version of ii-V-I.
What are the ii°-V-i chords in A Minor?
In A Minor the progression is Bm7b5 – E – Am. The same shape transposes to all 15 minor keys.
Which songs use the ii°-V-i progression?
Autumn Leaves (B section) all use the ii°-V-i progression in some form.
Is the ii°-V-i progression hard to play?
Difficulty: intermediate. The 3-bar cycle repeats predictably, so once the chord shapes are under your fingers the progression flows on its own.
Can I transpose ii°-V-i to another key?
Yes — that is the point of roman-numeral analysis. Every key on this page is the same progression; pick the one that suits your voice or your open chords.