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Guitar · half diminished seventh

Gm75 Chord on Guitar

G# Half-Diminished 7th (m7♭5) is G#, B, D, F# — the 1-b3-b5-b7 pattern of a half diminished seventh chord. There are 2 ways to play it on guitar, ranked below from easiest to hardest.

There is no open G#m7b5 shape on guitar — every version asks for a barre, which is exactly why this chord stops so many players. The one marked “Movable Root-6 Shape (4th fret)” below is the friendliest grip, so start there.


Start hereMovable Root-6 Shape (4th fret)

Barre at fret 4 — harder to hold than an open shape, but movable: slide it and you have every other half diminished seventh chord.

××1211EADGBE
Movable Root-6 Shape (4th fret)
Press play to hear G#m7b5 the way this shape actually sounds.

Every way to play it 2 shapes, easiest first

Same chord in all of them. What changes is how much your hand has to do and where on the neck it sits.

  1. ××1211EADGBE
    Movable Root-6 Shape (4th fret)

    Way 1 of 2

    Movable Root-6 Shape (4th fret)

    Easiest here· intermediate· the standard shape

    Barre at fret 4 — harder to hold than an open shape, but movable: slide it and you have every other half diminished seventh chord.

  2. ××11fr1213EADGBE
    Movable Root-5 Shape (11th fret)

    Way 2 of 2

    Movable Root-5 Shape (11th fret)

    intermediate

    Barre at fret 11 — the same movable idea, further up the neck: brighter, more compact, and easier to reach if you are already playing up there.

What beginners get wrong

Moving in and out of it

The shape above: Movable Root-6 Shape (4th fret) — barred at fret 4.

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

G#m7b5 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Piano

Gm75 on piano

3 voicings · easiest is intermediate

Ukulele

Gm75 on ukulele

1 voicing · easiest is intermediate

Bass

Gm75 on bass

1 voicing · easiest is advanced

Mandolin

Gm75 on mandolin

1 voicing · easiest is intermediate

Banjo

Gm75 on banjo

1 voicing · easiest is advanced

Or see G# Half-Diminished 7th (m7♭5) on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on guitar.

Gm

G# Minor

Gdim

G# Diminished

Gm6

G# Minor 6th

Gm7

G# Minor 7th

Gm(maj7)

G# Minor-Major 7th

Gdim7

G# Diminished 7th

G#m7b5 on Guitar — questions people ask

What is the easiest way to play G#m7b5 on guitar?

“Movable Root-6 Shape (4th fret)” — which we rate intermediate — is the easiest G#m7b5 shape on guitar. Barre at fret 4 — harder to hold than an open shape, but movable: slide it and you have every other half diminished seventh chord. There is no open G#m7b5 on guitar, so a barre is unavoidable; this is the least demanding one.

What notes are in the G# Half-Diminished 7th (m7♭5) chord?

G# Half-Diminished 7th (m7♭5) is G#, B, D, F# — the 1-b3-b5-b7 interval pattern of a half diminished seventh chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play G#m7b5 on guitar?

This page has 2 G#m7b5 voicings for guitar, ranked from easiest to hardest: Movable Root-6 Shape (4th fret), Movable Root-5 Shape (11th fret). They all sound like G#m7b5; the differences are how hard they are to hold and how high they sit.

What can I play instead of G#m7b5?

The nearest stand-ins on guitar that keep the same root are G#m, G#m7, G#dim. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play G#m7b5 on other instruments?

Yes. G#m7b5 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on piano, ukulele, bass, mandolin, banjo.

Learn the theory behind G#m7b5

The shape gets your fingers there. These explain why it sounds the way it does.

Barre Chords — The Wall Every Guitarist Climbs

This one asks for a barre. The article is the fix for the buzzing and the aching hand.

7 min read

Functional Harmony: Three Roles, One Engine

Diminished chords are almost always doing a job. This explains which one.

6 min read

Cadences — The Four Ways a Phrase Ends

Where all that tension goes — how the chord resolves into the next one.

4 min read

Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.