chordslol

Guitar · half diminished seventh

Am75 Chord on Guitar

A Half-Diminished 7th (m7♭5) is A, C, Eb, G — the 1-b3-b5-b7 pattern of a half diminished seventh chord. There are 2 ways to play it on guitar, ranked below from easiest to hardest.

Good news: Am7b5 has an open shape on guitar, so you can play it without barring anything. Start there and work up the neck later.


Start hereMovable Root-5 Shape (1st fret)

Open shape — open strings ring right through it and there is nothing to barre. If you only learn one, learn this one.

××12EADGBE
Movable Root-5 Shape (1st fret)
Press play to hear Am7b5 the way this shape actually sounds.

Easier ways to play it 2 shapes, easiest first

Same chord in all of them. What changes is how much your hand has to do and where on the neck it sits.

  1. ××12EADGBE
    Movable Root-5 Shape (1st fret)

    Way 1 of 2

    Movable Root-5 Shape (1st fret)

    Easiest here· intermediate· the standard shape

    Open shape — open strings ring right through it and there is nothing to barre. If you only learn one, learn this one.

  2. ××5fr1211EADGBE
    Movable Root-6 Shape (5th fret)

    Way 2 of 2

    Movable Root-6 Shape (5th fret)

    intermediate

    Barre at fret 5 — the same movable idea, further up the neck: brighter, more compact, and easier to reach if you are already playing up there.

What beginners get wrong

Moving in and out of it

The shape above: Movable Root-5 Shape (1st fret) — open position, so several strings ring unfretted — barred at fret 1.

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

Am7b5 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Piano

Am75 on piano

3 voicings · easiest is intermediate

Ukulele

Am75 on ukulele

1 voicing · easiest is intermediate

Bass

Am75 on bass

1 voicing · easiest is advanced

Mandolin

Am75 on mandolin

1 voicing · easiest is intermediate

Banjo

Am75 on banjo

1 voicing · easiest is advanced

Or see A Half-Diminished 7th (m7♭5) on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on guitar.

A

A Major

Am

A Minor

Adim

A Diminished

Aaug

A Augmented

Asus2

A Suspended 2nd

Asus4

A Suspended 4th

Am7b5 on Guitar — questions people ask

What is the easiest way to play Am7b5 on guitar?

“Movable Root-5 Shape (1st fret)” — which we rate intermediate — is the easiest Am7b5 shape on guitar. Open shape — open strings ring right through it and there is nothing to barre. If you only learn one, learn this one.

What notes are in the A Half-Diminished 7th (m7♭5) chord?

A Half-Diminished 7th (m7♭5) is A, C, Eb, G — the 1-b3-b5-b7 interval pattern of a half diminished seventh chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play Am7b5 on guitar?

This page has 2 Am7b5 voicings for guitar, ranked from easiest to hardest: Movable Root-5 Shape (1st fret), Movable Root-6 Shape (5th fret). They all sound like Am7b5; the differences are how hard they are to hold and how high they sit.

What can I play instead of Am7b5?

The nearest stand-ins on guitar that keep the same root are Asus4, Asus2, A. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play Am7b5 on other instruments?

Yes. Am7b5 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on piano, ukulele, bass, mandolin, banjo.

Learn the theory behind Am7b5

The shape gets your fingers there. These explain why it sounds the way it does.

Functional Harmony: Three Roles, One Engine

Diminished chords are almost always doing a job. This explains which one.

6 min read

Cadences — The Four Ways a Phrase Ends

Where all that tension goes — how the chord resolves into the next one.

4 min read

Voice Leading — Hold What You Can, Move Only What You Must

Half-steps do the work here. Voice leading is how you find them.

6 min read

Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.