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Chord · G# Minor 7th

Gm7 Chord

Gm7 is G#, B, D# and F#smooth, mellow. The ii in ii-V-I.

Hear it

Gm7 on every instrument

The same 4 notes, 6 sets of hands. Open a diagram for alternate shapes, audio and the mistakes to avoid.

4fr131111EADGBE
Guitar1 voicing
CDEFGAB
Piano3 voicings
1423GCEA
Ukulele2 voicings
4fr1311EADG
Bass1 voicing
1123GDAE
Mandolin2 voicings
×312GDGBD
Banjo1 voicing

What Gm7 is made of

G# Minor 7th (G# minor 7th) is built from the notes G#, B, D#, F#, with the interval pattern 1, b3, 5, b7. A common minor 7th chord across many styles.

Stack 1, b3, 5 and b7 on a root of G and you get G#, B, D# and F#. That interval recipe is what makes the chord a minor seventh chord — move the same shape to another root and the character travels with it, which is why Cm7 sounds like a transposed Gm7.

Minor 7th: Smooth, mellow. The ii in ii-V-I.

Spelling: the notes above are written the way a score would write them, not simplified to the nearest piano key. That is why this chord is spelled with G rather than its enharmonic equivalent.

Keys that contain Gm7

All 4 notes sit inside the scale of 10 keys. The roman numeral marks the degree the chord is rooted on.

Other chords on G

Same root, different colour.

The same minor seventh shape, moved

The identical interval recipe, built on other roots.

Questions people ask about G#m7

What notes are in the G#m7 chord?
G#m7 is made of G#, B, D# and F# — the 1, b3, 5 and b7 degrees of a minor seventh chord built on G#.
What keys use the G#m7 chord?
Every note of G#m7 belongs to 10 keys: E Major (iii), B Major (vi), F# Major (ii), Gb Major (ii), Cb Major (vi), C# Minor (v), G# Minor (i), D# Minor (iv), Eb Minor (iv), Ab Minor (i). The roman numeral is the scale degree the chord is rooted on.
How do you play G#m7 on guitar and piano?
This page shows G#m7 on guitar, piano, ukulele, bass, mandolin and banjo — 10 voicings in total. Each diagram links to the full instrument page with alternate shapes, audio and common mistakes.
Is G#m7 the same as Abm7?
Yes. G#m7 and Abm7 are enharmonic — identical pitches written two different ways. Which spelling you use depends on the key you are in; G#m7 is the spelling this site treats as canonical.

Learn the theory behind it

Why Gm7 behaves the way it does — the guides that explain the chord instead of just spelling it.

Functional Harmony: Three Roles, One EngineWhat a seventh chord is for — tension, resolution, and the seat it takes in the key.6 min readThe 12-Bar Blues — Three Chords, A Century of HitsSeventh chords are the whole sound of the blues. Twelve bars is where to hear it.7 min readMajor and Minor Scales — Built from Intervals, Felt in SongsThe flat third under all of this, and the scale it comes from.5 min read