chordslol

Chord Progression

i-VI-VII chord progression

a.k.a. Aeolian Loop

Aeolian rock loop.

rockbeginner3 barsMinor mode15 keys

The shape

iVIVII

In real keys

The chords, key by key.

Built on the minor scale, so it lives in the 15 minor keys. Every chord below links to its own page — shapes on six instruments, audio, and the mistakes to avoid. Hit play to hear the whole cycle.

All 15 keys

Need a key that is not listed? Use the transposer.

Analysis

What each numeral is doing.

Roman numerals name a chord by its position in the key rather than by its letter, which is why one progression works in every key. Uppercase is major, lowercase is minor, ° is diminished, ø is half-diminished, and a leading lowers the root a semitone.

i

Tonic

Home. Everything is measured against it and everything wants to return to it.

VI

Submediant

The relative minor. Same notes as the tonic, opposite mood.

VII

Leading tone

Unstable by construction — a dominant chord with its root chopped off.

Heard it before

Songs built on i-♭VI-♭VII.

  • Stairway to Heaven (intro)

Why it works

The reason it sticks.

Aeolian rock loop. The memorable part is the motion: each chord pulls toward the next in a way that feels both surprising and inevitable, and the cycle closes cleanly enough that you can loop it for three minutes without anyone getting bored.

Once the i-♭VI-♭VII pattern is in your ear you will start hearing it everywhere. That is not a coincidence — writers reach for it because the tension-and-release shape is doing the emotional work before the melody even arrives. Change the key and nothing about that changes; only the letters do.

Next

Related rock progressions

FAQ

Questions people actually ask.

What is the i-♭VI-♭VII Chord Progression?

i-♭VI-♭VII is a progression built on the i, bVI, bVII scale degrees of any minor key. Aeolian rock loop.

What are the i-♭VI-♭VII chords in A Minor?

In A Minor the progression is Am – F – G. The same shape transposes to all 15 minor keys.

Which songs use the i-♭VI-♭VII progression?

Stairway to Heaven (intro) all use the i-♭VI-♭VII progression in some form.

Is the i-♭VI-♭VII progression hard to play?

Difficulty: beginner. The 3-bar cycle repeats predictably, so once the chord shapes are under your fingers the progression flows on its own.

Can I transpose i-♭VI-♭VII to another key?

Yes — that is the point of roman-numeral analysis. Every key on this page is the same progression; pick the one that suits your voice or your open chords.