chordslol

Complete index

All Banjo chords.

Every chord we have a banjo voicing for — 180 of them, across 12 roots and 15 qualities. Each name opens a page with the shapes, audio, and the same chord on five other instruments.

Root

C

15 chords

Triads C

Three notes. Everything else is a triad with something added.

Suspended C

The third replaced — neither major nor minor, waiting to resolve.

Power chords C

Root and fifth only. No third, so distortion stays clean.

Sixths C

A gentler alternative to the seventh — sweet rather than tense.

Root

C

also D

15 chords

Triads C

Three notes. Everything else is a triad with something added.

Suspended C

The third replaced — neither major nor minor, waiting to resolve.

Power chords C

Root and fifth only. No third, so distortion stays clean.

Sixths C

A gentler alternative to the seventh — sweet rather than tense.

Root

D

15 chords

Triads D

Three notes. Everything else is a triad with something added.

Suspended D

The third replaced — neither major nor minor, waiting to resolve.

Power chords D

Root and fifth only. No third, so distortion stays clean.

Sixths D

A gentler alternative to the seventh — sweet rather than tense.

Root

E

also D

15 chords

Triads E

Three notes. Everything else is a triad with something added.

Suspended E

The third replaced — neither major nor minor, waiting to resolve.

Power chords E

Root and fifth only. No third, so distortion stays clean.

Sixths E

A gentler alternative to the seventh — sweet rather than tense.

Root

E

15 chords

Triads E

Three notes. Everything else is a triad with something added.

Suspended E

The third replaced — neither major nor minor, waiting to resolve.

Power chords E

Root and fifth only. No third, so distortion stays clean.

Sixths E

A gentler alternative to the seventh — sweet rather than tense.

Root

F

15 chords

Triads F

Three notes. Everything else is a triad with something added.

Suspended F

The third replaced — neither major nor minor, waiting to resolve.

Power chords F

Root and fifth only. No third, so distortion stays clean.

Sixths F

A gentler alternative to the seventh — sweet rather than tense.

Root

F

also G

15 chords

Triads F

Three notes. Everything else is a triad with something added.

Suspended F

The third replaced — neither major nor minor, waiting to resolve.

Power chords F

Root and fifth only. No third, so distortion stays clean.

Sixths F

A gentler alternative to the seventh — sweet rather than tense.

Root

G

15 chords

Triads G

Three notes. Everything else is a triad with something added.

Suspended G

The third replaced — neither major nor minor, waiting to resolve.

Power chords G

Root and fifth only. No third, so distortion stays clean.

Sixths G

A gentler alternative to the seventh — sweet rather than tense.

Root

A

also G

15 chords

Triads A

Three notes. Everything else is a triad with something added.

Suspended A

The third replaced — neither major nor minor, waiting to resolve.

Power chords A

Root and fifth only. No third, so distortion stays clean.

Sixths A

A gentler alternative to the seventh — sweet rather than tense.

Root

A

15 chords

Triads A

Three notes. Everything else is a triad with something added.

Suspended A

The third replaced — neither major nor minor, waiting to resolve.

Power chords A

Root and fifth only. No third, so distortion stays clean.

Sixths A

A gentler alternative to the seventh — sweet rather than tense.

Root

B

also A

15 chords

Triads B

Three notes. Everything else is a triad with something added.

Suspended B

The third replaced — neither major nor minor, waiting to resolve.

Power chords B

Root and fifth only. No third, so distortion stays clean.

Sixths B

A gentler alternative to the seventh — sweet rather than tense.

Root

B

15 chords

Triads B

Three notes. Everything else is a triad with something added.

Suspended B

The third replaced — neither major nor minor, waiting to resolve.

Power chords B

Root and fifth only. No third, so distortion stays clean.

Sixths B

A gentler alternative to the seventh — sweet rather than tense.

Looking for a chord that isn't here? It either has no banjo voicing yet or goes by another name — try the chord finder.

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