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Banjo · sixth

F6 Chord on Banjo

F# Major 6th is F#, A#, C#, D# — the 1-3-5-6 pattern of a sixth chord. Here is the shape, the audio, and what usually goes wrong.

There is no open F#6 on banjo — the single shape below is a barre, which is exactly why this chord trips people up. Take it slowly and check every string.


Start hereMovable 6th Shape (11th fret)

Barre at fret 11 — the same movable idea, further up the neck: brighter, more compact, and easier to reach if you are already playing up there.

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Press play to hear F#6 the way this shape actually sounds.

What beginners get wrong

Moving in and out of it

The shape above: Movable 6th Shape (11th fret) — barred at fret 11.

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

F#6 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Guitar

F6 on guitar

2 voicings · easiest is intermediate

Piano

F6 on piano

3 voicings · easiest is intermediate

Ukulele

F6 on ukulele

1 voicing · easiest is intermediate

Bass

F6 on bass

1 voicing · easiest is advanced

Mandolin

F6 on mandolin

1 voicing · easiest is intermediate

Or see F# Major 6th on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on banjo.

F

F# Major

Fm

F# Minor

Fdim

F# Diminished

Faug

F# Augmented

Fsus2

F# Suspended 2nd

Fsus4

F# Suspended 4th

F#6 on Banjo — questions people ask

What is the easiest way to play F#6 on banjo?

“Movable 6th Shape (11th fret)” — which we rate intermediate — is the easiest F#6 shape on banjo. Barre at fret 11 — the same movable idea, further up the neck: brighter, more compact, and easier to reach if you are already playing up there. There is no open F#6 on banjo, so a barre is unavoidable; this is the least demanding one.

What notes are in the F# Major 6th chord?

F# Major 6th is F#, A#, C#, D# — the 1-3-5-6 interval pattern of a sixth chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

What can I play instead of F#6?

The nearest stand-ins on banjo that keep the same root are F#sus4, F#sus2, F#. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play F#6 on other instruments?

Yes. F#6 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on guitar, piano, ukulele, bass, mandolin.

Learn the theory behind F#6

The shape gets your fingers there. These explain why it sounds the way it does.

Barre Chords — The Wall Every Guitarist Climbs

This one asks for a barre. The article is the fix for the buzzing and the aching hand.

7 min read

Functional Harmony: Three Roles, One Engine

What a seventh chord is for — tension, resolution, and the seat it takes in the key.

6 min read

The 12-Bar Blues — Three Chords, A Century of Hits

Seventh chords are the whole sound of the blues. Twelve bars is where to hear it.

7 min read

Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.