Banjo · minor sixth
Cm6 Chord on Banjo
C Minor 6th is C, Eb, G, A — the 1-b3-5-6 pattern of a minor sixth chord. Here is the shape, the audio, and what usually goes wrong.
Good news: Cm6 has an open shape on banjo, so you can play it without barring anything. Start there and work up the neck later.
Start here — Movable m6 Shape (4th fret)
Open shape — open strings ring right through it and there is nothing to barre. If you only learn one, learn this one.
What beginners get wrong
Moving in and out of it
The shape above: Movable m6 Shape (4th fret) — open position, so several strings ring unfretted.
Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.
Cm6 on other instruments
Same notes, different hands. Every link below is a real page with diagrams and audio.
Chords next door
Same root, different colour — and all of them playable on banjo.
Cm6 on Banjo — questions people ask
What is the easiest way to play Cm6 on banjo?
“Movable m6 Shape (4th fret)” — which we rate advanced — is the easiest Cm6 shape on banjo. Open shape — open strings ring right through it and there is nothing to barre. If you only learn one, learn this one.
What notes are in the C Minor 6th chord?
C Minor 6th is C, Eb, G, A — the 1-b3-5-6 interval pattern of a minor sixth chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.
What can I play instead of Cm6?
The nearest stand-ins on banjo that keep the same root are Csus4, Csus2, C. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.
Can I play Cm6 on other instruments?
Yes. Cm6 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on guitar, piano, ukulele, bass, mandolin.
Learn the theory behind Cm6
The shape gets your fingers there. These explain why it sounds the way it does.
Functional Harmony: Three Roles, One Engine
What a seventh chord is for — tension, resolution, and the seat it takes in the key.
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The 12-Bar Blues — Three Chords, A Century of Hits
Seventh chords are the whole sound of the blues. Twelve bars is where to hear it.
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Major and Minor Scales — Built from Intervals, Felt in Songs
The flat third under all of this, and the scale it comes from.
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