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Banjo · major seventh

Bmaj7 Chord on Banjo

B Major 7th is B, D#, F#, A# — the 1-3-5-7 pattern of a major seventh chord. Here is the shape, the audio, and what usually goes wrong.

There is no open Bmaj7 on banjo. The one shape below sits up the neck and is rated advanced.


Start hereMovable maj7 Shape (4th fret)

Fingered low on the neck with no barre — a useful middle step between the open shape and the movable ones.

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Press play to hear Bmaj7 the way this shape actually sounds.

What beginners get wrong

Moving in and out of it

The shape above: Movable maj7 Shape (4th fret).

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

Bmaj7 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Guitar

Bmaj7 on guitar

2 voicings · easiest is intermediate

Piano

Bmaj7 on piano

3 voicings · easiest is intermediate

Ukulele

Bmaj7 on ukulele

2 voicings · easiest is intermediate

Bass

Bmaj7 on bass

1 voicing · easiest is intermediate

Mandolin

Bmaj7 on mandolin

2 voicings · easiest is intermediate

Or see B Major 7th on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on banjo.

B

B Major

Bm

B Minor

Bdim

B Diminished

Baug

B Augmented

Bsus2

B Suspended 2nd

Bsus4

B Suspended 4th

Bmaj7 on Banjo — questions people ask

What is the easiest way to play Bmaj7 on banjo?

“Movable maj7 Shape (4th fret)” — which we rate advanced — is the easiest Bmaj7 shape on banjo. Fingered low on the neck with no barre — a useful middle step between the open shape and the movable ones. There is no open Bmaj7 on banjo, so a barre is unavoidable; this is the least demanding one.

What notes are in the B Major 7th chord?

B Major 7th is B, D#, F#, A# — the 1-3-5-7 interval pattern of a major seventh chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

What can I play instead of Bmaj7?

The nearest stand-ins on banjo that keep the same root are Bsus4, Bsus2, B. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play Bmaj7 on other instruments?

Yes. Bmaj7 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on guitar, piano, ukulele, bass, mandolin.

Learn the theory behind Bmaj7

The shape gets your fingers there. These explain why it sounds the way it does.

Functional Harmony: Three Roles, One Engine

What a seventh chord is for — tension, resolution, and the seat it takes in the key.

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Seventh chords are the whole sound of the blues. Twelve bars is where to hear it.

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Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.