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Ukulele · major seventh

Emaj7 Chord on Ukulele

Eb Major 7th is Eb, G, Bb, D — the 1-3-5-7 pattern of a major seventh chord. There are 2 ways to play it on ukulele, ranked below from easiest to hardest.

There is no open Ebmaj7 shape on ukulele — every version sits up the neck. The one marked “Amaj7 Shape (movable) (6th fret)” below is the friendliest grip, so start there.


Start hereAmaj7 Shape (movable) (6th fret)

Sits at fret 6 — tighter and brighter than the low shapes, and high enough to keep out of the way of anyone playing the open version underneath.

6fr2311GCEA
Amaj7 Shape (movable) (6th fret)
Press play to hear Ebmaj7 the way this shape actually sounds.

Every way to play it 2 shapes, easiest first

Same chord in all of them. What changes is how much your hand has to do and where on the neck it sits.

  1. 6fr2311GCEA
    Amaj7 Shape (movable) (6th fret)

    Way 1 of 2

    Amaj7 Shape (movable) (6th fret)

    Easiest here· intermediate· the standard shape

    Sits at fret 6 — tighter and brighter than the low shapes, and high enough to keep out of the way of anyone playing the open version underneath.

  2. 8fr1234GCEA
    Gmaj7 Shape (movable) (8th fret)

    Way 2 of 2

    Gmaj7 Shape (movable) (8th fret)

    intermediate

    Sits at fret 8 — tighter and brighter than the low shapes, and high enough to keep out of the way of anyone playing the open version underneath.

What beginners get wrong

Moving in and out of it

The shape above: Amaj7 Shape (movable) (6th fret).

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

Ebmaj7 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Guitar

Emaj7 on guitar

1 voicing · easiest is intermediate

Piano

Emaj7 on piano

3 voicings · easiest is intermediate

Bass

Emaj7 on bass

1 voicing · easiest is intermediate

Mandolin

Emaj7 on mandolin

2 voicings · easiest is intermediate

Banjo

Emaj7 on banjo

1 voicing · easiest is advanced

Or see Eb Major 7th on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on ukulele.

E

Eb Major

Em

Eb Minor

Edim

Eb Diminished

Eaug

Eb Augmented

Esus2

Eb Suspended 2nd

Esus4

Eb Suspended 4th

Ebmaj7 on Ukulele — questions people ask

What is the easiest way to play Ebmaj7 on ukulele?

“Amaj7 Shape (movable) (6th fret)” — which we rate intermediate — is the easiest Ebmaj7 shape on ukulele. Sits at fret 6 — tighter and brighter than the low shapes, and high enough to keep out of the way of anyone playing the open version underneath. There is no open Ebmaj7 on ukulele, so a barre is unavoidable; this is the least demanding one.

What notes are in the Eb Major 7th chord?

Eb Major 7th is Eb, G, Bb, D — the 1-3-5-7 interval pattern of a major seventh chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play Ebmaj7 on ukulele?

This page has 2 Ebmaj7 voicings for ukulele, ranked from easiest to hardest: Amaj7 Shape (movable) (6th fret), Gmaj7 Shape (movable) (8th fret). They all sound like Ebmaj7; the differences are how hard they are to hold and how high they sit.

What can I play instead of Ebmaj7?

The nearest stand-ins on ukulele that keep the same root are Ebsus4, Ebsus2, Eb. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play Ebmaj7 on other instruments?

Yes. Ebmaj7 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on guitar, piano, bass, mandolin, banjo.

Learn the theory behind Ebmaj7

The shape gets your fingers there. These explain why it sounds the way it does.

Functional Harmony: Three Roles, One Engine

What a seventh chord is for — tension, resolution, and the seat it takes in the key.

6 min read

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Seventh chords are the whole sound of the blues. Twelve bars is where to hear it.

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Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.