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Piano · major seventh

Emaj7 Chord on Piano

Eb Major 7th is Eb, G, Bb, D — the 1-3-5-7 pattern of a major seventh chord. There are 3 ways to play it on piano, ranked below from easiest to hardest.

Every voicing below is the same 4 notes in a different order. Root position is the one to learn first; the inversions exist to keep your hand still when you change chords.


Start hereRoot Position (RH)

Root position — the root is the lowest note. This is the sound in your head when you read the chord symbol, and the one to learn first.

C4G4C5D5Eb4Bb4
Press play to hear Ebmaj7 the way this shape actually sounds.

Ways to voice it 3 voicings, easiest first

Same 4 notes in all of them. What changes is which one sits at the bottom — and how far your hand has to travel to get there.

  1. C4G4C5D5Eb4Bb4

    Way 1 of 3

    Root Position (RH)

    Easiest here· intermediate· the standard shape

    Root position — the root is the lowest note. This is the sound in your head when you read the chord symbol, and the one to learn first.

    Keys: Eb4 · G4 · Bb4 · D5

  2. C4G4C5D5Bb4Eb5

    Way 2 of 3

    1st Inversion (RH)

    intermediate

    First inversion — the 3rd (G) moves to the bottom. Reach for it when the chord before this one sat a step below: your hand barely travels.

    Keys: G4 · Bb4 · D5 · Eb5

  3. C4C5D5G5Bb4Eb5

    Way 3 of 3

    2nd Inversion (RH)

    intermediate

    Second inversion — the 5th (Bb) is in the bass. It leans forward instead of settling, which makes it a good passing chord.

    Keys: Bb4 · D5 · Eb5 · G5

What beginners get wrong

Moving in and out of it

The shape above: Root Position (RH).

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

Ebmaj7 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Guitar

Emaj7 on guitar

1 voicing · easiest is intermediate

Ukulele

Emaj7 on ukulele

2 voicings · easiest is intermediate

Bass

Emaj7 on bass

1 voicing · easiest is intermediate

Mandolin

Emaj7 on mandolin

2 voicings · easiest is intermediate

Banjo

Emaj7 on banjo

1 voicing · easiest is advanced

Or see Eb Major 7th on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on piano.

E

Eb Major

Em

Eb Minor

Edim

Eb Diminished

Eaug

Eb Augmented

Esus2

Eb Suspended 2nd

Esus4

Eb Suspended 4th

Ebmaj7 on Piano — questions people ask

What is the easiest way to play Ebmaj7 on piano?

“Root Position (RH)” — which we rate intermediate — is the easiest Ebmaj7 shape on piano. Root position — the root is the lowest note. This is the sound in your head when you read the chord symbol, and the one to learn first.

What notes are in the Eb Major 7th chord?

Eb Major 7th is Eb, G, Bb, D — the 1-3-5-7 interval pattern of a major seventh chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play Ebmaj7 on piano?

This page has 3 Ebmaj7 voicings for piano, ranked from easiest to hardest: Root Position (RH), 1st Inversion (RH), 2nd Inversion (RH). They all sound like Ebmaj7; the differences are how hard they are to hold and how high they sit.

What can I play instead of Ebmaj7?

The nearest stand-ins on piano that keep the same root are Ebsus4, Ebsus2, Eb. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play Ebmaj7 on other instruments?

Yes. Ebmaj7 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on guitar, ukulele, bass, mandolin, banjo.

Learn the theory behind Ebmaj7

The shape gets your fingers there. These explain why it sounds the way it does.

Functional Harmony: Three Roles, One Engine

What a seventh chord is for — tension, resolution, and the seat it takes in the key.

6 min read

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Seventh chords are the whole sound of the blues. Twelve bars is where to hear it.

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Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.