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Mixolydian Mode

A Mixolydian Mode

Major with a ♭7 — dominant chords, blues-rock, and jam-band vamps.

Notes
A B C D E F G
Formula
1 · 2 · 3 · 4 · 5 · 6 · ♭7
Sound
bluesy major
Guitar positions
2
Jump to the patternsAll guitar scalesKey of A Major

The patterns on guitar

2 fretboard positions in standard tuning, low string on the left. Every dot is a note of the scale and the number inside it is the scale degree, so you can see the shape and the theory at once.

root notescale notenumbers inside the dots are scale degrees

Box 1

Position 1 (6th-string root)

Frets 5–8

A Mixolydian Mode — Position 1 (6th-string root)Guitar fretboard pattern in E A D G B E tuning, frets 5 to 8. 6th string, E: fret 5 is A (degree 1, the root); fret 7 is B (degree 2). 5th string, A: fret 5 is D (degree 4); fret 7 is E (degree 5). 4th string, D: fret 5 is G (degree b7); fret 7 is A (degree 1, the root). 3rd string, G: fret 6 is C# (degree 3); fret 7 is D (degree 4). 2nd string, B: fret 5 is E (degree 5); fret 7 is F# (degree 6); fret 8 is G (degree b7). 1st string, E: fret 5 is A (degree 1, the root); fret 7 is B (degree 2).5fr1245b713456b712EADGBE

When to use it: Root on the 6th string. Learn this one first — matching the root to a fret is all it takes to move the shape to any key.

Box 2

Position 2 (5th-string root)

Open position

A Mixolydian Mode — Position 2 (5th-string root)Guitar fretboard pattern in E A D G B E tuning, open position through fret 4. 6th string, E: open is E (degree 5); fret 2 is F# (degree 6); fret 3 is G (degree b7). 5th string, A: open is A (degree 1, the root); fret 2 is B (degree 2). 4th string, D: open is D (degree 4); fret 2 is E (degree 5). 3rd string, G: open is G (degree b7); fret 2 is A (degree 1, the root). 2nd string, B: open is B (degree 2); fret 2 is C# (degree 3); fret 3 is D (degree 4). 1st string, E: open is E (degree 5); fret 2 is F# (degree 6); fret 3 is G (degree b7).56b71245b7123456b7EADGBE

When to use it: It lands in open position for this key, so the open strings carry the low notes — easy to play, but the one shape you cannot slide to another key. Root on the 5th string. Use it when the tonic is easier to find on the A string, or when you want the scale to sit higher.

The notes

7 notes, built off A with the formula 1 · 2 · 3 · 4 · 5 · 6 · ♭7. Mixolydian is the scale that matches a dominant 7th chord note-for-note, which makes it the default choice over any V7. It sounds major without ever fully settling.

Tap any note to hear it on its own.

Chords built from this scale

Stack every other note of the scale and you get its seven diatonic chords. These are the chords that sound at home over this scale — a progression made only of these will never leave the key.

Diatonic chords of the A Mixolydian mode
DegreeChordNotesSeventhFunction
IAA C EA7tonic — everything resolves here
iiBmB D FBm7supertonic — pre-dominant — the usual step toward the dominant
iii°CdimC E GCm75mediant — unstable
IVDD F ADmaj7subdominant — the lift away from home
vEmE G BEm7dominant — a softer, modal pull home
viFmF A CFm7submediant — a soft landing away from the tonic
VIIGG B DGmaj7subtonic — a whole step below home, no pull

Common questions

What notes are in the A Mixolydian Mode?

The A Mixolydian mode has 7 notes: A, B, C#, D, E, F#, G. The interval formula is 1–2–3–4–5–6–♭7, counted up from A.

What chords are in the A Mixolydian Mode?

The A Mixolydian mode builds seven diatonic chords: I A, ii Bm, iii° C#dim, IV D, v Em, vi F#m, VII G.

Where do I start on guitar?

Start with Position 1 (6th-string root) at fret 5. Root on the 6th string. Learn this one first — matching the root to a fret is all it takes to move the shape to any key.

Learn the theory behind it

The patterns above get your fingers moving. These explain what the notes are actually doing, so you can use the scale instead of just running it.