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Guitar · major seventh

Dmaj7 Chord on Guitar

D Major 7th is D, F#, A, C# — the 1-3-5-7 pattern of a major seventh chord. There are 2 ways to play it on guitar, ranked below from easiest to hardest.

There is no open Dmaj7 shape on guitar — every version asks for a barre, which is exactly why this chord stops so many players. The one marked “A Shape Barre (5th fret)” below is the friendliest grip, so start there.


Start hereA Shape Barre (5th fret)

Barre at fret 5 — the same movable idea, further up the neck: brighter, more compact, and easier to reach if you are already playing up there.

×5fr13241EADGBE
A Shape Barre (5th fret)
Press play to hear Dmaj7 the way this shape actually sounds.

Every way to play it 2 shapes, easiest first

Same chord in all of them. What changes is how much your hand has to do and where on the neck it sits.

  1. ×5fr13241EADGBE
    A Shape Barre (5th fret)

    Way 1 of 2

    A Shape Barre (5th fret)

    Easiest here· intermediate· the standard shape

    Barre at fret 5 — the same movable idea, further up the neck: brighter, more compact, and easier to reach if you are already playing up there.

  2. 10fr142311EADGBE
    E Shape Barre (10th fret)

    Way 2 of 2

    E Shape Barre (10th fret)

    intermediate

    Barre at fret 10 — the same movable idea, further up the neck: brighter, more compact, and easier to reach if you are already playing up there.

What beginners get wrong

Moving in and out of it

The shape above: A Shape Barre (5th fret) — barred at fret 5.

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

Dmaj7 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Piano

Dmaj7 on piano

3 voicings · easiest is intermediate

Ukulele

Dmaj7 on ukulele

2 voicings · easiest is intermediate

Bass

Dmaj7 on bass

1 voicing · easiest is intermediate

Mandolin

Dmaj7 on mandolin

3 voicings · easiest is intermediate

Banjo

Dmaj7 on banjo

2 voicings · easiest is intermediate

Or see D Major 7th on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on guitar.

D

D Major

Dm

D Minor

Ddim

D Diminished

Daug

D Augmented

Dsus2

D Suspended 2nd

Dsus4

D Suspended 4th

Dmaj7 on Guitar — questions people ask

What is the easiest way to play Dmaj7 on guitar?

“A Shape Barre (5th fret)” — which we rate intermediate — is the easiest Dmaj7 shape on guitar. Barre at fret 5 — the same movable idea, further up the neck: brighter, more compact, and easier to reach if you are already playing up there. There is no open Dmaj7 on guitar, so a barre is unavoidable; this is the least demanding one.

What notes are in the D Major 7th chord?

D Major 7th is D, F#, A, C# — the 1-3-5-7 interval pattern of a major seventh chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play Dmaj7 on guitar?

This page has 2 Dmaj7 voicings for guitar, ranked from easiest to hardest: A Shape Barre (5th fret), E Shape Barre (10th fret). They all sound like Dmaj7; the differences are how hard they are to hold and how high they sit.

What can I play instead of Dmaj7?

The nearest stand-ins on guitar that keep the same root are Dsus4, Dsus2, D. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play Dmaj7 on other instruments?

Yes. Dmaj7 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on piano, ukulele, bass, mandolin, banjo.

Learn the theory behind Dmaj7

The shape gets your fingers there. These explain why it sounds the way it does.

Barre Chords — The Wall Every Guitarist Climbs

This one asks for a barre. The article is the fix for the buzzing and the aching hand.

7 min read

Functional Harmony: Three Roles, One Engine

What a seventh chord is for — tension, resolution, and the seat it takes in the key.

6 min read

The 12-Bar Blues — Three Chords, A Century of Hits

Seventh chords are the whole sound of the blues. Twelve bars is where to hear it.

7 min read

Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.