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Guitar · seventh sharp five

F75 Chord on Guitar

F# Dominant 7♯5 is F#, A#, D, E — the 1-3-#5-b7 pattern of a seventh sharp five chord. There are 2 ways to play it on guitar, ranked below from easiest to hardest.

There is no open F#7#5 shape on guitar — every version asks for a barre, which is exactly why this chord stops so many players. The one marked “Movable Root-6 Shape (2nd fret)” below is the friendliest grip, so start there.


Start hereMovable Root-6 Shape (2nd fret)

Barre at fret 2 — harder to hold than an open shape, but movable: slide it and you have every other seventh sharp five chord.

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Movable Root-6 Shape (2nd fret)
Press play to hear F#7#5 the way this shape actually sounds.

Every way to play it 2 shapes, easiest first

Same chord in all of them. What changes is how much your hand has to do and where on the neck it sits.

  1. ×14123EADGBE
    Movable Root-6 Shape (2nd fret)

    Way 1 of 2

    Movable Root-6 Shape (2nd fret)

    Easiest here· advanced· the standard shape

    Barre at fret 2 — harder to hold than an open shape, but movable: slide it and you have every other seventh sharp five chord.

  2. ××9fr1413EADGBE
    Movable Root-5 Shape (9th fret)

    Way 2 of 2

    Movable Root-5 Shape (9th fret)

    advanced

    Barre at fret 9 — the same movable idea, further up the neck: brighter, more compact, and easier to reach if you are already playing up there.

What beginners get wrong

Moving in and out of it

The shape above: Movable Root-6 Shape (2nd fret) — barred at fret 2.

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

F#7#5 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Piano

F75 on piano

3 voicings · easiest is intermediate

Or see F# Dominant 7♯5 on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on guitar.

F

F# Major

Fm

F# Minor

Fdim

F# Diminished

Faug

F# Augmented

Fsus2

F# Suspended 2nd

Fsus4

F# Suspended 4th

F#7#5 on Guitar — questions people ask

What is the easiest way to play F#7#5 on guitar?

“Movable Root-6 Shape (2nd fret)” — which we rate advanced — is the easiest F#7#5 shape on guitar. Barre at fret 2 — harder to hold than an open shape, but movable: slide it and you have every other seventh sharp five chord. There is no open F#7#5 on guitar, so a barre is unavoidable; this is the least demanding one.

What notes are in the F# Dominant 7♯5 chord?

F# Dominant 7♯5 is F#, A#, D, E — the 1-3-#5-b7 interval pattern of a seventh sharp five chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play F#7#5 on guitar?

This page has 2 F#7#5 voicings for guitar, ranked from easiest to hardest: Movable Root-6 Shape (2nd fret), Movable Root-5 Shape (9th fret). They all sound like F#7#5; the differences are how hard they are to hold and how high they sit.

What can I play instead of F#7#5?

The nearest stand-ins on guitar that keep the same root are F#sus4, F#sus2, F#. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play F#7#5 on other instruments?

Yes. F#7#5 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on piano.

Learn the theory behind F#7#5

The shape gets your fingers there. These explain why it sounds the way it does.

Barre Chords — The Wall Every Guitarist Climbs

This one asks for a barre. The article is the fix for the buzzing and the aching hand.

7 min read

Borrowed Chords and Modal Mixture — Stealing from Parallel Keys

The raised fifth comes from outside the key. This is where chords like it are borrowed from.

7 min read

Functional Harmony: Three Roles, One Engine

That sharpened fifth is a pull toward the next chord — here is the mechanism.

6 min read

Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.