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Guitar · suspended second

Fsus2 Chord on Guitar

F# Suspended 2nd is F#, G#, C# — the 1-2-5 pattern of a suspended second chord. There are 2 ways to play it on guitar, ranked below from easiest to hardest.

There is no open F#sus2 shape on guitar — every version asks for a barre, which is exactly why this chord stops so many players. The one marked “A Shape Barre (9th fret)” below is the friendliest grip, so start there.


The shape most players useE Shape Barre (2nd fret)

Barre at fret 2 — harder to hold than an open shape, but movable: slide it and you have every other suspended second chord.

2fr123411EADGBE
E Shape Barre (2nd fret)
Press play to hear F#sus2 the way this shape actually sounds.

Every way to play it 2 shapes, easiest first

Same chord in all of them. What changes is how much your hand has to do and where on the neck it sits.

  1. ×9fr13411EADGBE
    A Shape Barre (9th fret)

    Way 1 of 2

    A Shape Barre (9th fret)

    Easiest here· intermediate

    Barre at fret 9 — the same movable idea, further up the neck: brighter, more compact, and easier to reach if you are already playing up there.

  2. 2fr123411EADGBE
    E Shape Barre (2nd fret)

    Way 2 of 2

    E Shape Barre (2nd fret)

    advanced· the standard shape

    Barre at fret 2 — harder to hold than an open shape, but movable: slide it and you have every other suspended second chord.

What beginners get wrong

Moving in and out of it

The shape above: E Shape Barre (2nd fret) — barred at fret 2.

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

F#sus2 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Piano

Fsus2 on piano

3 voicings · easiest is beginner

Ukulele

Fsus2 on ukulele

1 voicing · easiest is intermediate

Bass

Fsus2 on bass

1 voicing · easiest is intermediate

Mandolin

Fsus2 on mandolin

1 voicing · easiest is intermediate

Banjo

Fsus2 on banjo

1 voicing · easiest is intermediate

Or see F# Suspended 2nd on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on guitar.

F

F# Major

Fm

F# Minor

Fdim

F# Diminished

Faug

F# Augmented

Fsus4

F# Suspended 4th

F5

F# Power Chord

F#sus2 on Guitar — questions people ask

What is the easiest way to play F#sus2 on guitar?

“A Shape Barre (9th fret)” — which we rate intermediate — is the easiest F#sus2 shape on guitar. Barre at fret 9 — the same movable idea, further up the neck: brighter, more compact, and easier to reach if you are already playing up there. There is no open F#sus2 on guitar, so a barre is unavoidable; this is the least demanding one.

What notes are in the F# Suspended 2nd chord?

F# Suspended 2nd is F#, G#, C# — the 1-2-5 interval pattern of a suspended second chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play F#sus2 on guitar?

This page has 2 F#sus2 voicings for guitar, ranked from easiest to hardest: A Shape Barre (9th fret), E Shape Barre (2nd fret). They all sound like F#sus2; the differences are how hard they are to hold and how high they sit.

What can I play instead of F#sus2?

The nearest stand-ins on guitar that keep the same root are F#5, F#sus4, F#. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play F#sus2 on other instruments?

Yes. F#sus2 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on piano, ukulele, bass, mandolin, banjo.

Learn the theory behind F#sus2

The shape gets your fingers there. These explain why it sounds the way it does.

Barre Chords — The Wall Every Guitarist Climbs

This one asks for a barre. The article is the fix for the buzzing and the aching hand.

7 min read

Chord Inversions and Slash Chords — Same Notes, Different Attitude

Suspending or adding a tone is a voicing decision, the same kind as an inversion or a slash chord.

5 min read

Chord Progressions Explained

These chords earn their keep inside a progression, leaning on the plain chord that follows.

7 min read

Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.