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Chord · F# Dominant 7♯5

F75 Chord

F75 is F#, A#, D and Ewhole-tone derived; very tense.

Hear it

F75 on every instrument

The same 4 notes, 2 sets of hands. Open a diagram for alternate shapes, audio and the mistakes to avoid.

×14123EADGBE
Guitar2 voicings
CDEFGAB
Piano3 voicings

What F75 is made of

F# Dominant 7♯5 (F# dominant 7♯5) is built from the notes F#, A#, D, E, with the interval pattern 1, 3, #5, b7. A common dominant 7♯5 chord across many styles.

Stack 1, 3, #5 and b7 on a root of F and you get F#, A#, D and E. That interval recipe is what makes the chord a seventh sharp five chord — move the same shape to another root and the character travels with it, which is why C75 sounds like a transposed F75.

Dominant 7♯5: Whole-tone derived; very tense.

Spelling: the notes above are written the way a score would write them, not simplified to the nearest piano key. That is why this chord is spelled with F rather than its enharmonic equivalent.

Keys that contain F75

No major or natural-minor key contains all 4 of these notes — this one gets borrowed.

Chords like this one sit outside the diatonic set — they arrive as secondary dominants, borrowed chords or passing harmony. Browse every key to see which progressions pull it in.

Other chords on F

Same root, different colour.

The same seventh sharp five shape, moved

The identical interval recipe, built on other roots.

Questions people ask about F#7#5

What notes are in the F#7#5 chord?
F#7#5 is made of F#, A#, D and E — the 1, 3, #5 and b7 degrees of a seventh sharp five chord built on F#.
What keys use the F#7#5 chord?
No major or natural-minor key contains all 4 notes of F#7#5. Chords like this arrive as borrowed harmony — secondary dominants, harmonic-minor colour, or chromatic passing chords — rather than as one of a key's native chords.
How do you play F#7#5 on guitar and piano?
This page shows F#7#5 on guitar and piano — 5 voicings in total. Each diagram links to the full instrument page with alternate shapes, audio and common mistakes.
Is F#7#5 the same as Gb7#5?
Yes. F#7#5 and Gb7#5 are enharmonic — identical pitches written two different ways. Which spelling you use depends on the key you are in; F#7#5 is the spelling this site treats as canonical.

Learn the theory behind it

Why F75 behaves the way it does — the guides that explain the chord instead of just spelling it.

Barre Chords — The Wall Every Guitarist ClimbsThis one asks for a barre. The article is the fix for the buzzing and the aching hand.7 min readBorrowed Chords and Modal Mixture — Stealing from Parallel KeysThe raised fifth comes from outside the key. This is where chords like it are borrowed from.7 min readFunctional Harmony: Three Roles, One EngineThat sharpened fifth is a pull toward the next chord — here is the mechanism.6 min read