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Guitar · ninth

F9 Chord on Guitar

F# Dominant 9th is F#, A#, C#, E, G# — the 1-3-5-b7-9 pattern of a ninth chord. There are 2 ways to play it on guitar, ranked below from easiest to hardest.

There is no open F#9 shape on guitar — every version sits up the neck. The one marked “Movable Root-5 Shape (8th fret)” below is the friendliest grip, so start there.


The shape most players useE Shape Barre (2nd fret)

Barre at fret 2 — harder to hold than an open shape, but movable: slide it and you have every other ninth chord.

131214EADGBE
E Shape Barre (2nd fret)
Press play to hear F#9 the way this shape actually sounds.

Every way to play it 2 shapes, easiest first

Same chord in all of them. What changes is how much your hand has to do and where on the neck it sits.

  1. ×8fr21333EADGBE
    Movable Root-5 Shape (8th fret)

    Way 1 of 2

    Movable Root-5 Shape (8th fret)

    Easiest here· intermediate

    Sits at fret 8 — tighter and brighter than the low shapes, and high enough to keep out of the way of anyone playing the open version underneath.

  2. 131214EADGBE
    E Shape Barre (2nd fret)

    Way 2 of 2

    E Shape Barre (2nd fret)

    advanced· the standard shape

    Barre at fret 2 — harder to hold than an open shape, but movable: slide it and you have every other ninth chord.

What beginners get wrong

Moving in and out of it

The shape above: E Shape Barre (2nd fret) — barred at fret 2.

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

F#9 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Piano

F9 on piano

4 voicings · easiest is intermediate

Ukulele

F9 on ukulele

1 voicing · easiest is advanced

Mandolin

F9 on mandolin

1 voicing · easiest is advanced

Or see F# Dominant 9th on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on guitar.

F

F# Major

Fm

F# Minor

Fdim

F# Diminished

Faug

F# Augmented

Fsus2

F# Suspended 2nd

Fsus4

F# Suspended 4th

F#9 on Guitar — questions people ask

What is the easiest way to play F#9 on guitar?

“Movable Root-5 Shape (8th fret)” — which we rate intermediate — is the easiest F#9 shape on guitar. Sits at fret 8 — tighter and brighter than the low shapes, and high enough to keep out of the way of anyone playing the open version underneath. There is no open F#9 on guitar, so a barre is unavoidable; this is the least demanding one.

What notes are in the F# Dominant 9th chord?

F# Dominant 9th is F#, A#, C#, E, G# — the 1-3-5-b7-9 interval pattern of a ninth chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play F#9 on guitar?

This page has 2 F#9 voicings for guitar, ranked from easiest to hardest: Movable Root-5 Shape (8th fret), E Shape Barre (2nd fret). They all sound like F#9; the differences are how hard they are to hold and how high they sit.

What can I play instead of F#9?

The nearest stand-ins on guitar that keep the same root are F#sus4, F#sus2, F#. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play F#9 on other instruments?

Yes. F#9 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on piano, ukulele, mandolin.

Learn the theory behind F#9

The shape gets your fingers there. These explain why it sounds the way it does.

Barre Chords — The Wall Every Guitarist Climbs

This one asks for a barre. The article is the fix for the buzzing and the aching hand.

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Functional Harmony: Three Roles, One Engine

What a seventh chord is for — tension, resolution, and the seat it takes in the key.

6 min read

The 12-Bar Blues — Three Chords, A Century of Hits

Seventh chords are the whole sound of the blues. Twelve bars is where to hear it.

7 min read

Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.