Chord · F# Major 7♯5
F♯maj7♯5 Chord
F♯maj7♯5 is F#, A#, D and E# — lydian augmented sound; modern jazz.
F♯maj7♯5 on every instrument
The same 4 notes, 2 sets of hands. Open a diagram for alternate shapes, audio and the mistakes to avoid.
What F♯maj7♯5 is made of
F# Major 7♯5 (F# major 7♯5) is built from the notes F#, A#, D, E#, with the interval pattern 1, 3, #5, 7. A common major 7♯5 chord across many styles.
Stack 1, 3, #5 and 7 on a root of F♯ and you get F#, A#, D and E#. That interval recipe is what makes the chord a major seventh sharp five chord — move the same shape to another root and the character travels with it, which is why Cmaj7♯5 sounds like a transposed F♯maj7♯5.
Major 7♯5: Lydian augmented sound; modern jazz.
Spelling: the notes above are written the way a score would write them, not simplified to the nearest piano key. That is why this chord is spelled with F♯ rather than its enharmonic equivalent.
Keys that contain F♯maj7♯5
No major or natural-minor key contains all 4 of these notes — this one gets borrowed.
Chords like this one sit outside the diatonic set — they arrive as secondary dominants, borrowed chords or passing harmony. Browse every key to see which progressions pull it in.
Other chords on F♯
Same root, different colour.
The same major seventh sharp five shape, moved
The identical interval recipe, built on other roots.
Questions people ask about F#maj7#5
- What notes are in the F#maj7#5 chord?
- F#maj7#5 is made of F#, A#, D and E# — the 1, 3, #5 and 7 degrees of a major seventh sharp five chord built on F#.
- What keys use the F#maj7#5 chord?
- No major or natural-minor key contains all 4 notes of F#maj7#5. Chords like this arrive as borrowed harmony — secondary dominants, harmonic-minor colour, or chromatic passing chords — rather than as one of a key's native chords.
- How do you play F#maj7#5 on guitar and piano?
- This page shows F#maj7#5 on guitar and piano — 4 voicings in total. Each diagram links to the full instrument page with alternate shapes, audio and common mistakes.
- Is F#maj7#5 the same as Gbmaj7#5?
- Yes. F#maj7#5 and Gbmaj7#5 are enharmonic — identical pitches written two different ways. Which spelling you use depends on the key you are in; F#maj7#5 is the spelling this site treats as canonical.
Learn the theory behind it
Why F♯maj7♯5 behaves the way it does — the guides that explain the chord instead of just spelling it.