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Chord · C Major 7♯5

Cmaj75 Chord

Cmaj75 is C, E, G# and Blydian augmented sound; modern jazz.

Hear it

Cmaj75 on every instrument

The same 4 notes, 2 sets of hands. Open a diagram for alternate shapes, audio and the mistakes to avoid.

××3fr1423EADGBE
Guitar1 voicing
CDEFGAB
Piano3 voicings

What Cmaj75 is made of

Cmaj7#5 (C major seventh sharp five) is built from the notes C, E, G#, B, with the interval pattern 1, 3, #5, 7.

Stack 1, 3, #5 and 7 on a root of C and you get C, E, G# and B. That interval recipe is what makes the chord a major seventh sharp five chord — move the same shape to another root and the character travels with it, which is why Dmaj75 sounds like a transposed Cmaj75.

Major 7♯5: Lydian augmented sound; modern jazz.

Spelling: the notes above are written the way a score would write them, not simplified to the nearest piano key. That is why this chord is spelled with G rather than its enharmonic equivalent.

Keys that contain Cmaj75

No major or natural-minor key contains all 4 of these notes — this one gets borrowed.

Chords like this one sit outside the diatonic set — they arrive as secondary dominants, borrowed chords or passing harmony. Browse every key to see which progressions pull it in.

Other chords on C

Same root, different colour.

The same major seventh sharp five shape, moved

The identical interval recipe, built on other roots.

Questions people ask about Cmaj7#5

What notes are in the Cmaj7#5 chord?
Cmaj7#5 is made of C, E, G# and B — the 1, 3, #5 and 7 degrees of a major seventh sharp five chord built on C.
What keys use the Cmaj7#5 chord?
No major or natural-minor key contains all 4 notes of Cmaj7#5. Chords like this arrive as borrowed harmony — secondary dominants, harmonic-minor colour, or chromatic passing chords — rather than as one of a key's native chords.
How do you play Cmaj7#5 on guitar and piano?
This page shows Cmaj7#5 on guitar and piano — 4 voicings in total. Each diagram links to the full instrument page with alternate shapes, audio and common mistakes.

Learn the theory behind it

Why Cmaj75 behaves the way it does — the guides that explain the chord instead of just spelling it.

Borrowed Chords and Modal Mixture — Stealing from Parallel KeysThe raised fifth comes from outside the key. This is where chords like it are borrowed from.7 min readFunctional Harmony: Three Roles, One EngineThat sharpened fifth is a pull toward the next chord — here is the mechanism.6 min readIntervals — The Only Music Theory You Actually NeedTwo stacked major thirds, and the symmetry that makes it feel homeless.5 min read