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Piano · major seventh sharp five

Fmaj75 Chord on Piano

F# Major 7♯5 is F#, A#, D, E# — the 1-3-#5-7 pattern of a major seventh sharp five chord. There are 3 ways to play it on piano, ranked below from easiest to hardest.

Every voicing below is the same 4 notes in a different order. Root position is the one to learn first; the inversions exist to keep your hand still when you change chords.


Start hereRoot Position (RH)

Root position — the root is the lowest note. This is the sound in your head when you read the chord symbol, and the one to learn first.

C4C5D5F5F#4A#4
Press play to hear F#maj7#5 the way this shape actually sounds.

Ways to voice it 3 voicings, easiest first

Same 4 notes in all of them. What changes is which one sits at the bottom — and how far your hand has to travel to get there.

  1. C4C5D5F5F#4A#4

    Way 1 of 3

    Root Position (RH)

    Easiest here· intermediate· the standard shape

    Root position — the root is the lowest note. This is the sound in your head when you read the chord symbol, and the one to learn first.

    Keys: F#4 · A#4 · D5 · F5

  2. C4C5D5F5A#4F#5

    Way 2 of 3

    1st Inversion (RH)

    intermediate

    First inversion — the 3rd (A#) moves to the bottom. Reach for it when the chord before this one sat a step below: your hand barely travels.

    Keys: A#4 · D5 · F5 · F#5

  3. C4D4F4C5F#4A#4

    Way 3 of 3

    2nd Inversion (RH)

    intermediate

    Second inversion — the 5th (D) is in the bass. It leans forward instead of settling, which makes it a good passing chord.

    Keys: D4 · F4 · F#4 · A#4

What beginners get wrong

Moving in and out of it

The shape above: Root Position (RH).

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

F#maj7#5 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Guitar

Fmaj75 on guitar

1 voicing · easiest is advanced

Or see F# Major 7♯5 on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on piano.

F

F# Major

Fm

F# Minor

Fdim

F# Diminished

Faug

F# Augmented

Fsus2

F# Suspended 2nd

Fsus4

F# Suspended 4th

F#maj7#5 on Piano — questions people ask

What is the easiest way to play F#maj7#5 on piano?

“Root Position (RH)” — which we rate intermediate — is the easiest F#maj7#5 shape on piano. Root position — the root is the lowest note. This is the sound in your head when you read the chord symbol, and the one to learn first.

What notes are in the F# Major 7♯5 chord?

F# Major 7♯5 is F#, A#, D, E# — the 1-3-#5-7 interval pattern of a major seventh sharp five chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play F#maj7#5 on piano?

This page has 3 F#maj7#5 voicings for piano, ranked from easiest to hardest: Root Position (RH), 1st Inversion (RH), 2nd Inversion (RH). They all sound like F#maj7#5; the differences are how hard they are to hold and how high they sit.

What can I play instead of F#maj7#5?

The nearest stand-ins on piano that keep the same root are F#sus4, F#sus2, F#. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play F#maj7#5 on other instruments?

Yes. F#maj7#5 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on guitar.

Learn the theory behind F#maj7#5

The shape gets your fingers there. These explain why it sounds the way it does.

Borrowed Chords and Modal Mixture — Stealing from Parallel Keys

The raised fifth comes from outside the key. This is where chords like it are borrowed from.

7 min read

Functional Harmony: Three Roles, One Engine

That sharpened fifth is a pull toward the next chord — here is the mechanism.

6 min read

Intervals — The Only Music Theory You Actually Need

Two stacked major thirds, and the symmetry that makes it feel homeless.

5 min read

Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.