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Chord · Eb Dominant 7♯5

E75 Chord

E75 is Eb, G, B and Dbwhole-tone derived; very tense.

Hear it

E75 on every instrument

The same 4 notes, 2 sets of hands. Open a diagram for alternate shapes, audio and the mistakes to avoid.

××6fr1413EADGBE
Guitar1 voicing
CDEFGAB
Piano3 voicings

What E75 is made of

Eb Dominant 7♯5 (Eb dominant 7♯5) is built from the notes Eb, G, B, Db, with the interval pattern 1, 3, #5, b7. A common dominant 7♯5 chord across many styles.

Stack 1, 3, #5 and b7 on a root of E and you get Eb, G, B and Db. That interval recipe is what makes the chord a seventh sharp five chord — move the same shape to another root and the character travels with it, which is why C75 sounds like a transposed E75.

Dominant 7♯5: Whole-tone derived; very tense.

Spelling: the notes above are written the way a score would write them, not simplified to the nearest piano key. That is why this chord is spelled with E rather than its enharmonic equivalent.

Keys that contain E75

No major or natural-minor key contains all 4 of these notes — this one gets borrowed.

Chords like this one sit outside the diatonic set — they arrive as secondary dominants, borrowed chords or passing harmony. Browse every key to see which progressions pull it in.

Other chords on E

Same root, different colour.

The same seventh sharp five shape, moved

The identical interval recipe, built on other roots.

Questions people ask about Eb7#5

What notes are in the Eb7#5 chord?
Eb7#5 is made of Eb, G, B and Db — the 1, 3, #5 and b7 degrees of a seventh sharp five chord built on Eb.
What keys use the Eb7#5 chord?
No major or natural-minor key contains all 4 notes of Eb7#5. Chords like this arrive as borrowed harmony — secondary dominants, harmonic-minor colour, or chromatic passing chords — rather than as one of a key's native chords.
How do you play Eb7#5 on guitar and piano?
This page shows Eb7#5 on guitar and piano — 4 voicings in total. Each diagram links to the full instrument page with alternate shapes, audio and common mistakes.
Is Eb7#5 the same as D#7#5?
Yes. Eb7#5 and D#7#5 are enharmonic — identical pitches written two different ways. Which spelling you use depends on the key you are in; Eb7#5 is the spelling this site treats as canonical.

Learn the theory behind it

Why E75 behaves the way it does — the guides that explain the chord instead of just spelling it.

Borrowed Chords and Modal Mixture — Stealing from Parallel KeysThe raised fifth comes from outside the key. This is where chords like it are borrowed from.7 min readFunctional Harmony: Three Roles, One EngineThat sharpened fifth is a pull toward the next chord — here is the mechanism.6 min readIntervals — The Only Music Theory You Actually NeedTwo stacked major thirds, and the symmetry that makes it feel homeless.5 min read