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Chord · C# Minor-Major 7th

Cm(maj7) Chord

Cm(maj7) is C#, E, G# and B#sinister, James Bond-ish. Tonic of harmonic minor.

Hear it

Cm(maj7) on every instrument

The same 4 notes, 5 sets of hands. Open a diagram for alternate shapes, audio and the mistakes to avoid.

×4fr14231EADGBE
Guitar2 voicings
CDEFGAB
Piano3 voicings
2111GCEA
Ukulele1 voicing
4123GDAE
Mandolin1 voicing
×9fr2114GDGBD
Banjo1 voicing

What Cm(maj7) is made of

C# Minor-Major 7th (C# minor-major 7th) is built from the notes C#, E, G#, B#, with the interval pattern 1, b3, 5, 7. A common minor-major 7th chord across many styles.

Stack 1, b3, 5 and 7 on a root of C and you get C#, E, G# and B#. That interval recipe is what makes the chord a minor major seventh chord — move the same shape to another root and the character travels with it, which is why Cm(maj7) sounds like a transposed Cm(maj7).

Minor-Major 7th: Sinister, James Bond-ish. Tonic of harmonic minor.

Spelling: the notes above are written the way a score would write them, not simplified to the nearest piano key. That is why this chord is spelled with C rather than its enharmonic equivalent.

Keys that contain Cm(maj7)

No major or natural-minor key contains all 4 of these notes — this one gets borrowed.

Chords like this one sit outside the diatonic set — they arrive as secondary dominants, borrowed chords or passing harmony. Browse every key to see which progressions pull it in.

Other chords on C

Same root, different colour.

The same minor major seventh shape, moved

The identical interval recipe, built on other roots.

Questions people ask about C#m(maj7)

What notes are in the C#m(maj7) chord?
C#m(maj7) is made of C#, E, G# and B# — the 1, b3, 5 and 7 degrees of a minor major seventh chord built on C#.
What keys use the C#m(maj7) chord?
No major or natural-minor key contains all 4 notes of C#m(maj7). Chords like this arrive as borrowed harmony — secondary dominants, harmonic-minor colour, or chromatic passing chords — rather than as one of a key's native chords.
How do you play C#m(maj7) on guitar and piano?
This page shows C#m(maj7) on guitar, piano, ukulele, mandolin and banjo — 8 voicings in total. Each diagram links to the full instrument page with alternate shapes, audio and common mistakes.
Is C#m(maj7) the same as Dbm(maj7)?
Yes. C#m(maj7) and Dbm(maj7) are enharmonic — identical pitches written two different ways. Which spelling you use depends on the key you are in; C#m(maj7) is the spelling this site treats as canonical.

Learn the theory behind it

Why Cm(maj7) behaves the way it does — the guides that explain the chord instead of just spelling it.

Functional Harmony: Three Roles, One EngineWhat a seventh chord is for — tension, resolution, and the seat it takes in the key.6 min readThe 12-Bar Blues — Three Chords, A Century of HitsSeventh chords are the whole sound of the blues. Twelve bars is where to hear it.7 min readMajor and Minor Scales — Built from Intervals, Felt in SongsThe flat third under all of this, and the scale it comes from.5 min read