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Chord · Bb Major 7♯5

Bmaj75 Chord

Bmaj75 is Bb, D, F# and Alydian augmented sound; modern jazz.

Hear it

Bmaj75 on every instrument

The same 4 notes, 2 sets of hands. Open a diagram for alternate shapes, audio and the mistakes to avoid.

××1423EADGBE
Guitar1 voicing
CDEFGAB
Piano3 voicings

What Bmaj75 is made of

Bb Major 7♯5 (Bb major 7♯5) is built from the notes Bb, D, F#, A, with the interval pattern 1, 3, #5, 7. A common major 7♯5 chord across many styles.

Stack 1, 3, #5 and 7 on a root of B and you get Bb, D, F# and A. That interval recipe is what makes the chord a major seventh sharp five chord — move the same shape to another root and the character travels with it, which is why Cmaj75 sounds like a transposed Bmaj75.

Major 7♯5: Lydian augmented sound; modern jazz.

Spelling: the notes above are written the way a score would write them, not simplified to the nearest piano key. That is why this chord is spelled with B rather than its enharmonic equivalent.

Keys that contain Bmaj75

No major or natural-minor key contains all 4 of these notes — this one gets borrowed.

Chords like this one sit outside the diatonic set — they arrive as secondary dominants, borrowed chords or passing harmony. Browse every key to see which progressions pull it in.

Other chords on B

Same root, different colour.

The same major seventh sharp five shape, moved

The identical interval recipe, built on other roots.

Questions people ask about Bbmaj7#5

What notes are in the Bbmaj7#5 chord?
Bbmaj7#5 is made of Bb, D, F# and A — the 1, 3, #5 and 7 degrees of a major seventh sharp five chord built on Bb.
What keys use the Bbmaj7#5 chord?
No major or natural-minor key contains all 4 notes of Bbmaj7#5. Chords like this arrive as borrowed harmony — secondary dominants, harmonic-minor colour, or chromatic passing chords — rather than as one of a key's native chords.
How do you play Bbmaj7#5 on guitar and piano?
This page shows Bbmaj7#5 on guitar and piano — 4 voicings in total. Each diagram links to the full instrument page with alternate shapes, audio and common mistakes.
Is Bbmaj7#5 the same as A#maj7#5?
Yes. Bbmaj7#5 and A#maj7#5 are enharmonic — identical pitches written two different ways. Which spelling you use depends on the key you are in; Bbmaj7#5 is the spelling this site treats as canonical.

Learn the theory behind it

Why Bmaj75 behaves the way it does — the guides that explain the chord instead of just spelling it.

Barre Chords — The Wall Every Guitarist ClimbsThis one asks for a barre. The article is the fix for the buzzing and the aching hand.7 min readBorrowed Chords and Modal Mixture — Stealing from Parallel KeysThe raised fifth comes from outside the key. This is where chords like it are borrowed from.7 min readFunctional Harmony: Three Roles, One EngineThat sharpened fifth is a pull toward the next chord — here is the mechanism.6 min read