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Ukulele · sixth

E6 Chord on Ukulele

Eb Major 6th is Eb, G, Bb, C — the 1-3-5-6 pattern of a sixth chord. There are 2 ways to play it on ukulele, ranked below from easiest to hardest.

There is no open Eb6 shape on ukulele — every version sits up the neck. The one marked “B6 Shape (movable) (5th fret)” below is the friendliest grip, so start there.


Start hereB6 Shape (movable) (5th fret)

Sits at fret 5 — tighter and brighter than the low shapes, and high enough to keep out of the way of anyone playing the open version underneath.

5fr1423GCEA
B6 Shape (movable) (5th fret)
Press play to hear Eb6 the way this shape actually sounds.

Every way to play it 2 shapes, easiest first

Same chord in all of them. What changes is how much your hand has to do and where on the neck it sits.

  1. 5fr1423GCEA
    B6 Shape (movable) (5th fret)

    Way 1 of 2

    B6 Shape (movable) (5th fret)

    Easiest here· intermediate· the standard shape

    Sits at fret 5 — tighter and brighter than the low shapes, and high enough to keep out of the way of anyone playing the open version underneath.

  2. 8fr1314GCEA
    G6 Shape (movable) (8th fret)

    Way 2 of 2

    G6 Shape (movable) (8th fret)

    intermediate

    Barre at fret 8 — the same movable idea, further up the neck: brighter, more compact, and easier to reach if you are already playing up there.

What beginners get wrong

Moving in and out of it

The shape above: B6 Shape (movable) (5th fret).

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

Eb6 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Guitar

E6 on guitar

2 voicings · easiest is intermediate

Piano

E6 on piano

3 voicings · easiest is intermediate

Bass

E6 on bass

1 voicing · easiest is advanced

Mandolin

E6 on mandolin

1 voicing · easiest is intermediate

Banjo

E6 on banjo

1 voicing · easiest is intermediate

Or see Eb Major 6th on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on ukulele.

E

Eb Major

Em

Eb Minor

Edim

Eb Diminished

Eaug

Eb Augmented

Esus2

Eb Suspended 2nd

Esus4

Eb Suspended 4th

Eb6 on Ukulele — questions people ask

What is the easiest way to play Eb6 on ukulele?

“B6 Shape (movable) (5th fret)” — which we rate intermediate — is the easiest Eb6 shape on ukulele. Sits at fret 5 — tighter and brighter than the low shapes, and high enough to keep out of the way of anyone playing the open version underneath. There is no open Eb6 on ukulele, so a barre is unavoidable; this is the least demanding one.

What notes are in the Eb Major 6th chord?

Eb Major 6th is Eb, G, Bb, C — the 1-3-5-6 interval pattern of a sixth chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play Eb6 on ukulele?

This page has 2 Eb6 voicings for ukulele, ranked from easiest to hardest: B6 Shape (movable) (5th fret), G6 Shape (movable) (8th fret). They all sound like Eb6; the differences are how hard they are to hold and how high they sit.

What can I play instead of Eb6?

The nearest stand-ins on ukulele that keep the same root are Ebsus4, Ebsus2, Eb. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play Eb6 on other instruments?

Yes. Eb6 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on guitar, piano, bass, mandolin, banjo.

Learn the theory behind Eb6

The shape gets your fingers there. These explain why it sounds the way it does.

Barre Chords — The Wall Every Guitarist Climbs

This one asks for a barre. The article is the fix for the buzzing and the aching hand.

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Functional Harmony: Three Roles, One Engine

What a seventh chord is for — tension, resolution, and the seat it takes in the key.

6 min read

The 12-Bar Blues — Three Chords, A Century of Hits

Seventh chords are the whole sound of the blues. Twelve bars is where to hear it.

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Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.