chordslol

Ukulele · major seventh

Bmaj7 Chord on Ukulele

Bb Major 7th is Bb, D, F, A — the 1-3-5-7 pattern of a major seventh chord. There are 2 ways to play it on ukulele, ranked below from easiest to hardest.

There is no open Bbmaj7 shape on ukulele — every version sits up the neck. The one marked “Amaj7 Shape (movable) (1st fret)” below is the friendliest grip, so start there.


Start hereAmaj7 Shape (movable) (1st fret)

Fingered low on the neck with no barre — a useful middle step between the open shape and the movable ones.

2311GCEA
Amaj7 Shape (movable) (1st fret)
Press play to hear Bbmaj7 the way this shape actually sounds.

Every way to play it 2 shapes, easiest first

Same chord in all of them. What changes is how much your hand has to do and where on the neck it sits.

  1. 2311GCEA
    Amaj7 Shape (movable) (1st fret)

    Way 1 of 2

    Amaj7 Shape (movable) (1st fret)

    Easiest here· intermediate· the standard shape

    Fingered low on the neck with no barre — a useful middle step between the open shape and the movable ones.

  2. 1234GCEA
    Gmaj7 Shape (movable) (3rd fret)

    Way 2 of 2

    Gmaj7 Shape (movable) (3rd fret)

    intermediate

    Fingered low on the neck with no barre — a useful middle step between the open shape and the movable ones.

What beginners get wrong

Moving in and out of it

The shape above: Amaj7 Shape (movable) (1st fret).

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

Bbmaj7 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Guitar

Bmaj7 on guitar

2 voicings · easiest is intermediate

Piano

Bmaj7 on piano

3 voicings · easiest is intermediate

Bass

Bmaj7 on bass

1 voicing · easiest is intermediate

Mandolin

Bmaj7 on mandolin

2 voicings · easiest is intermediate

Banjo

Bmaj7 on banjo

1 voicing · easiest is advanced

Or see Bb Major 7th on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on ukulele.

B

Bb Major

Bm

Bb Minor

Bdim

Bb Diminished

Baug

Bb Augmented

Bsus2

Bb Suspended 2nd

Bsus4

Bb Suspended 4th

Bbmaj7 on Ukulele — questions people ask

What is the easiest way to play Bbmaj7 on ukulele?

“Amaj7 Shape (movable) (1st fret)” — which we rate intermediate — is the easiest Bbmaj7 shape on ukulele. Fingered low on the neck with no barre — a useful middle step between the open shape and the movable ones. There is no open Bbmaj7 on ukulele, so a barre is unavoidable; this is the least demanding one.

What notes are in the Bb Major 7th chord?

Bb Major 7th is Bb, D, F, A — the 1-3-5-7 interval pattern of a major seventh chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play Bbmaj7 on ukulele?

This page has 2 Bbmaj7 voicings for ukulele, ranked from easiest to hardest: Amaj7 Shape (movable) (1st fret), Gmaj7 Shape (movable) (3rd fret). They all sound like Bbmaj7; the differences are how hard they are to hold and how high they sit.

What can I play instead of Bbmaj7?

The nearest stand-ins on ukulele that keep the same root are Bbsus4, Bbsus2, Bb. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play Bbmaj7 on other instruments?

Yes. Bbmaj7 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on guitar, piano, bass, mandolin, banjo.

Learn the theory behind Bbmaj7

The shape gets your fingers there. These explain why it sounds the way it does.

Functional Harmony: Three Roles, One Engine

What a seventh chord is for — tension, resolution, and the seat it takes in the key.

6 min read

The 12-Bar Blues — Three Chords, A Century of Hits

Seventh chords are the whole sound of the blues. Twelve bars is where to hear it.

7 min read

Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.