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Ukulele · major seventh

Amaj7 Chord on Ukulele

Ab Major 7th is Ab, C, Eb, G — the 1-3-5-7 pattern of a major seventh chord. There are 2 ways to play it on ukulele, ranked below from easiest to hardest.

There is no open Abmaj7 shape on ukulele — every version sits up the neck. The one marked “Gmaj7 Shape (movable) (1st fret)” below is the friendliest grip, so start there.


Start hereGmaj7 Shape (movable) (1st fret)

Fingered low on the neck with no barre — a useful middle step between the open shape and the movable ones.

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Gmaj7 Shape (movable) (1st fret)
Press play to hear Abmaj7 the way this shape actually sounds.

Every way to play it 2 shapes, easiest first

Same chord in all of them. What changes is how much your hand has to do and where on the neck it sits.

  1. 1234GCEA
    Gmaj7 Shape (movable) (1st fret)

    Way 1 of 2

    Gmaj7 Shape (movable) (1st fret)

    Easiest here· intermediate· the standard shape

    Fingered low on the neck with no barre — a useful middle step between the open shape and the movable ones.

  2. 11fr2311GCEA
    Amaj7 Shape (movable) (11th fret)

    Way 2 of 2

    Amaj7 Shape (movable) (11th fret)

    intermediate

    Sits at fret 11 — tighter and brighter than the low shapes, and high enough to keep out of the way of anyone playing the open version underneath.

What beginners get wrong

Moving in and out of it

The shape above: Gmaj7 Shape (movable) (1st fret).

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

Abmaj7 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Guitar

Amaj7 on guitar

1 voicing · easiest is intermediate

Piano

Amaj7 on piano

3 voicings · easiest is intermediate

Bass

Amaj7 on bass

1 voicing · easiest is intermediate

Mandolin

Amaj7 on mandolin

2 voicings · easiest is intermediate

Banjo

Amaj7 on banjo

1 voicing · easiest is advanced

Or see Ab Major 7th on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on ukulele.

A

Ab Major

Aaug

Ab Augmented

Asus2

Ab Suspended 2nd

Asus4

Ab Suspended 4th

A5

Ab Power Chord

A6

Ab Major 6th

Abmaj7 on Ukulele — questions people ask

What is the easiest way to play Abmaj7 on ukulele?

“Gmaj7 Shape (movable) (1st fret)” — which we rate intermediate — is the easiest Abmaj7 shape on ukulele. Fingered low on the neck with no barre — a useful middle step between the open shape and the movable ones. There is no open Abmaj7 on ukulele, so a barre is unavoidable; this is the least demanding one.

What notes are in the Ab Major 7th chord?

Ab Major 7th is Ab, C, Eb, G — the 1-3-5-7 interval pattern of a major seventh chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play Abmaj7 on ukulele?

This page has 2 Abmaj7 voicings for ukulele, ranked from easiest to hardest: Gmaj7 Shape (movable) (1st fret), Amaj7 Shape (movable) (11th fret). They all sound like Abmaj7; the differences are how hard they are to hold and how high they sit.

What can I play instead of Abmaj7?

The nearest stand-ins on ukulele that keep the same root are Ab5, Absus4, Absus2. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play Abmaj7 on other instruments?

Yes. Abmaj7 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on guitar, piano, bass, mandolin, banjo.

Learn the theory behind Abmaj7

The shape gets your fingers there. These explain why it sounds the way it does.

Functional Harmony: Three Roles, One Engine

What a seventh chord is for — tension, resolution, and the seat it takes in the key.

6 min read

The 12-Bar Blues — Three Chords, A Century of Hits

Seventh chords are the whole sound of the blues. Twelve bars is where to hear it.

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Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.