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Mixolydian Mode

G Mixolydian Mode

Major with a ♭7 — dominant chords, blues-rock, and jam-band vamps.

Notes
G A B C D E F
Formula
1 · 2 · 3 · 4 · 5 · 6 · ♭7
Sound
bluesy major
Guitar positions
2
Jump to the patternsAll guitar scalesKey of G Major

The patterns on guitar

2 fretboard positions in standard tuning, low string on the left. Every dot is a note of the scale and the number inside it is the scale degree, so you can see the shape and the theory at once.

root notescale notenumbers inside the dots are scale degrees

Box 1

Position 1 (6th-string root)

Frets 3–6

G Mixolydian Mode — Position 1 (6th-string root)Guitar fretboard pattern in E A D G B E tuning, frets 3 to 6. 6th string, E: fret 3 is G (degree 1, the root); fret 5 is A (degree 2). 5th string, A: fret 3 is C (degree 4); fret 5 is D (degree 5). 4th string, D: fret 3 is F (degree b7); fret 5 is G (degree 1, the root). 3rd string, G: fret 4 is B (degree 3); fret 5 is C (degree 4). 2nd string, B: fret 3 is D (degree 5); fret 5 is E (degree 6); fret 6 is F (degree b7). 1st string, E: fret 3 is G (degree 1, the root); fret 5 is A (degree 2).3fr1245b713456b712EADGBE

When to use it: Root on the 6th string. Learn this one first — matching the root to a fret is all it takes to move the shape to any key.

Box 2

Position 2 (5th-string root)

Frets 10–13

G Mixolydian Mode — Position 2 (5th-string root)Guitar fretboard pattern in E A D G B E tuning, frets 10 to 13. 6th string, E: fret 10 is D (degree 5); fret 12 is E (degree 6); fret 13 is F (degree b7). 5th string, A: fret 10 is G (degree 1, the root); fret 12 is A (degree 2). 4th string, D: fret 10 is C (degree 4); fret 12 is D (degree 5). 3rd string, G: fret 10 is F (degree b7); fret 12 is G (degree 1, the root). 2nd string, B: fret 10 is A (degree 2); fret 12 is B (degree 3); fret 13 is C (degree 4). 1st string, E: fret 10 is D (degree 5); fret 12 is E (degree 6); fret 13 is F (degree b7).10fr56b71245b7123456b7EADGBE

When to use it: Root on the 5th string. Use it when the tonic is easier to find on the A string, or when you want the scale to sit higher.

The notes

7 notes, built off G with the formula 1 · 2 · 3 · 4 · 5 · 6 · ♭7. Mixolydian is the scale that matches a dominant 7th chord note-for-note, which makes it the default choice over any V7. It sounds major without ever fully settling.

Tap any note to hear it on its own.

Chords built from this scale

Stack every other note of the scale and you get its seven diatonic chords. These are the chords that sound at home over this scale — a progression made only of these will never leave the key.

Diatonic chords of the G Mixolydian mode
DegreeChordNotesSeventhFunction
IGG B DG7tonic — everything resolves here
iiAmA C EAm7supertonic — pre-dominant — the usual step toward the dominant
iii°BdimB D FBm75mediant — unstable
IVCC E GCmaj7subdominant — the lift away from home
vDmD F ADm7dominant — a softer, modal pull home
viEmE G BEm7submediant — a soft landing away from the tonic
VIIFF A CFmaj7subtonic — a whole step below home, no pull

Common questions

What notes are in the G Mixolydian Mode?

The G Mixolydian mode has 7 notes: G, A, B, C, D, E, F. The interval formula is 1–2–3–4–5–6–♭7, counted up from G.

What chords are in the G Mixolydian Mode?

The G Mixolydian mode builds seven diatonic chords: I G, ii Am, iii° Bdim, IV C, v Dm, vi Em, VII F.

Where do I start on guitar?

Start with Position 1 (6th-string root) at fret 3. Root on the 6th string. Learn this one first — matching the root to a fret is all it takes to move the shape to any key.

Learn the theory behind it

The patterns above get your fingers moving. These explain what the notes are actually doing, so you can use the scale instead of just running it.