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Guitar · major seventh

Cmaj7 Chord on Guitar

C Major 7th is C, E, G, B — the 1-3-5-7 pattern of a major seventh chord. There are 3 ways to play it on guitar, ranked below from easiest to hardest.

Good news: Cmaj7 has an open shape on guitar, so you can play it without barring anything. Start there and work up the neck later.


Start hereOpen Position

Open shape — open strings ring right through it and there is nothing to barre. If you only learn one, learn this one.

×32EADGBE
Open Position
Press play to hear Cmaj7 the way this shape actually sounds.

Easier ways to play it 3 shapes, easiest first

Same chord in all of them. What changes is how much your hand has to do and where on the neck it sits.

  1. ×32EADGBE
    Open Position

    Way 1 of 3

    Open Position

    Easiest here· beginner· the standard shape

    Open shape — open strings ring right through it and there is nothing to barre. If you only learn one, learn this one.

  2. ×3fr13241EADGBE
    A Shape (3rd fret)

    Way 2 of 3

    A Shape (3rd fret)

    intermediate

    Barre at fret 3 — harder to hold than an open shape, but movable: slide it and you have every other major seventh chord.

  3. 8fr142311EADGBE
    E Shape (8th fret)

    Way 3 of 3

    E Shape (8th fret)

    intermediate

    Barre at fret 8 — the same movable idea, further up the neck: brighter, more compact, and easier to reach if you are already playing up there.

What beginners get wrong

Moving in and out of it

The shape above: Open Position — open position, so several strings ring unfretted.

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

Songs that turn on this chord

  • SomethingThe Beatlesverse
  • Brown Eyed GirlVan Morrisonbridge

Cmaj7 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Piano

Cmaj7 on piano

5 voicings · easiest is intermediate

Ukulele

Cmaj7 on ukulele

3 voicings · easiest is beginner

Bass

Cmaj7 on bass

3 voicings · easiest is intermediate

Mandolin

Cmaj7 on mandolin

2 voicings · easiest is intermediate

Banjo

Cmaj7 on banjo

2 voicings · easiest is intermediate

Or see C Major 7th on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on guitar.

C

C Major

Cm

C Minor

Cdim

C Diminished

Caug

C Augmented

Csus2

C Suspended 2nd

Csus4

C Suspended 4th

Cmaj7 on Guitar — questions people ask

What is the easiest way to play Cmaj7 on guitar?

“Open Position” — which we rate beginner — is the easiest Cmaj7 shape on guitar. Open shape — open strings ring right through it and there is nothing to barre. If you only learn one, learn this one.

What notes are in the C Major 7th chord?

C Major 7th is C, E, G, B — the 1-3-5-7 interval pattern of a major seventh chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play Cmaj7 on guitar?

This page has 3 Cmaj7 voicings for guitar, ranked from easiest to hardest: Open Position, A Shape (3rd fret), E Shape (8th fret). They all sound like Cmaj7; the differences are how hard they are to hold and how high they sit.

What can I play instead of Cmaj7?

The nearest stand-ins on guitar that keep the same root are Csus4, Csus2, C. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play Cmaj7 on other instruments?

Yes. Cmaj7 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on piano, ukulele, bass, mandolin, banjo.

Learn the theory behind Cmaj7

The shape gets your fingers there. These explain why it sounds the way it does.

Functional Harmony: Three Roles, One Engine

What a seventh chord is for — tension, resolution, and the seat it takes in the key.

6 min read

The 12-Bar Blues — Three Chords, A Century of Hits

Seventh chords are the whole sound of the blues. Twelve bars is where to hear it.

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Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.