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Major Pentatonic

F Major Pentatonic Scale

Five notes that never clash — country, folk, and every campfire lead.

Notes
F G A C D
Formula
1 · 2 · 3 · 5 · 6
Sound
open, cheerful
Guitar positions
5
Jump to the patternsAll guitar scalesKey of F# Major

The patterns on guitar

5 fretboard positions in standard tuning, low string on the left. Every dot is a note of the scale and the number inside it is the scale degree, so you can see the shape and the theory at once.

root notescale notenumbers inside the dots are scale degrees

Box 1

Pattern 1 (root box)

Frets 2–5

F# Major Pentatonic Scale — Pattern 1 (root box)Guitar fretboard pattern in E A D G B E tuning, frets 2 to 5. 6th string, E: fret 2 is F# (degree 1, the root); fret 4 is G# (degree 2). 5th string, A: fret 4 is C# (degree 5). 4th string, D: fret 4 is F# (degree 1, the root). 3rd string, G: fret 3 is A# (degree 3). 2nd string, B: fret 2 is C# (degree 5); fret 4 is D# (degree 6). 1st string, E: fret 2 is F# (degree 1, the root); fret 4 is G# (degree 2).2fr125135612EADGBE

When to use it: Start here. The root sits under your first finger on the 6th string, so the whole box moves with the key — slide it up two frets and you are in the next one.

Box 2

Pattern 2 (2nd box)

Frets 4–7

F# Major Pentatonic Scale — Pattern 2 (2nd box)Guitar fretboard pattern in E A D G B E tuning, frets 4 to 7. 6th string, E: fret 4 is G# (degree 2); fret 6 is A# (degree 3). 5th string, A: fret 4 is C# (degree 5); fret 6 is D# (degree 6). 4th string, D: fret 4 is F# (degree 1, the root); fret 6 is G# (degree 2). 3rd string, G: fret 6 is C# (degree 5). 2nd string, B: fret 4 is D# (degree 6); fret 7 is F# (degree 1, the root). 1st string, E: fret 4 is G# (degree 2); fret 6 is A# (degree 3).4fr23561256123EADGBE

When to use it: Sits a whole step above the root box. Useful when the progression moves to the ii or the V and you want to follow it rather than stay put.

Box 3

Pattern 3 (3rd box)

Frets 6–9

F# Major Pentatonic Scale — Pattern 3 (3rd box)Guitar fretboard pattern in E A D G B E tuning, frets 6 to 9. 6th string, E: fret 6 is A# (degree 3); fret 9 is C# (degree 5). 5th string, A: fret 6 is D# (degree 6); fret 9 is F# (degree 1, the root). 4th string, D: fret 6 is G# (degree 2); fret 8 is A# (degree 3). 3rd string, G: fret 6 is C# (degree 5); fret 8 is D# (degree 6). 2nd string, B: fret 7 is F# (degree 1, the root); fret 9 is G# (degree 2). 1st string, E: fret 6 is A# (degree 3); fret 9 is C# (degree 5).6fr356123561235EADGBE

When to use it: Anchored on the 3rd. The major 3rd on the low string makes this the most obviously *major*-sounding of the five.

Box 4

Pattern 4 (5th box)

Frets 9–12

F# Major Pentatonic Scale — Pattern 4 (5th box)Guitar fretboard pattern in E A D G B E tuning, frets 9 to 12. 6th string, E: fret 9 is C# (degree 5); fret 11 is D# (degree 6). 5th string, A: fret 9 is F# (degree 1, the root); fret 11 is G# (degree 2). 4th string, D: fret 11 is C# (degree 5). 3rd string, G: fret 11 is F# (degree 1, the root). 2nd string, B: fret 9 is G# (degree 2); fret 11 is A# (degree 3). 1st string, E: fret 9 is C# (degree 5); fret 11 is D# (degree 6).9fr5612512356EADGBE

When to use it: Root on the 4th string. This is the shape to reach for when the vocal sits high and you want to answer above it.

Box 5

Pattern 5 (6th box)

Frets 11–14

F# Major Pentatonic Scale — Pattern 5 (6th box)Guitar fretboard pattern in E A D G B E tuning, frets 11 to 14. 6th string, E: fret 11 is D# (degree 6); fret 14 is F# (degree 1, the root). 5th string, A: fret 11 is G# (degree 2); fret 13 is A# (degree 3). 4th string, D: fret 11 is C# (degree 5); fret 13 is D# (degree 6). 3rd string, G: fret 11 is F# (degree 1, the root); fret 13 is G# (degree 2). 2nd string, B: fret 11 is A# (degree 3); fret 14 is C# (degree 5). 1st string, E: fret 11 is D# (degree 6); fret 14 is F# (degree 1, the root).11fr612356123561EADGBE

When to use it: Anchored on the 6th — the relative minor's root. Play the same box thinking minor and you get the relative minor scale for free.

The notes

5 notes, built off F# with the formula 1 · 2 · 3 · 5 · 6. The major scale with the two half-step notes removed, which is exactly why it never sounds wrong over a major progression. It is the safest place for a beginner to start improvising.

Tap any note to hear it on its own.

Chords built from this scale

With 5 notes there is no seven-chord diatonic set to stack. What matters instead is which chords this scale fits over: every chord below is built entirely from notes in the scale, so you can solo across it without hitting a note that fights the backing chord.

FF A CEmE G BAsus2A B EDsus2D E AFsus2F G CAsus4A D EDsus4D G AEsus4E A BEm7E G B DF6F A C DA5A ED5D A

Common questions

What notes are in the F# Major Pentatonic Scale?

The F# major pentatonic scale has 5 notes: F#, G#, A#, C#, D#. The interval formula is 1–2–3–5–6, counted up from F#.

What chords are in the F# Major Pentatonic Scale?

It is not a seven-note scale, so it has no diatonic harmony of its own. The chords whose notes fit entirely inside it are F#, Ebm, Absus2, Dbsus2, F#sus2, Absus4, Dbsus4, Ebsus4 — those are safe to solo over with this scale.

Where do I start on guitar?

Start with Pattern 1 (root box) at fret 2. Start here. The root sits under your first finger on the 6th string, so the whole box moves with the key — slide it up two frets and you are in the next one.

Is the F# Major Pentatonic Scale the same as the Eb Minor Pentatonic Scale?

They use exactly the same notes — F#, G#, A#, C#, D# — but resolve to different home notes. Play the pattern thinking F# and you hear the F# major pentatonic scale; think Eb and the same shape becomes the Eb minor pentatonic scale.

Learn the theory behind it

The patterns above get your fingers moving. These explain what the notes are actually doing, so you can use the scale instead of just running it.