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Natural Minor (Aeolian) · also called Aeolian

E Natural Minor Scale

The sad one. Same seven notes as its relative major, started three semitones lower.

Notes
E F G A B C D
Formula
1 · 2 · ♭3 · 4 · 5 · ♭6 · ♭7
Sound
dark, wistful
Guitar positions
5
Jump to the patternsAll guitar scalesKey of E Minor

The patterns on guitar

5 fretboard positions in standard tuning, low string on the left. Every dot is a note of the scale and the number inside it is the scale degree, so you can see the shape and the theory at once.

root notescale notenumbers inside the dots are scale degrees

Box 1

CAGED Position 1 (Em shape)

Open position

E Natural Minor Scale — CAGED Position 1 (Em shape)Guitar fretboard pattern in E A D G B E tuning, open position through fret 4. 6th string, E: open is E (degree 1, the root); fret 2 is F# (degree 2); fret 3 is G (degree b3). 5th string, A: open is A (degree 4); fret 2 is B (degree 5); fret 3 is C (degree b6). 4th string, D: open is D (degree b7); fret 2 is E (degree 1, the root). 3rd string, G: open is G (degree b3); fret 2 is A (degree 4). 2nd string, B: open is B (degree 5); fret 1 is C (degree b6); fret 3 is D (degree b7). 1st string, E: open is E (degree 1, the root); fret 2 is F# (degree 2); fret 3 is G (degree b3).12b345b6b71b345b6b712b3EADGBE

When to use it: It lands in open position for this key, so the open strings carry the low notes — easy to play, but the one shape you cannot slide to another key. The Em-shape position. Its root lines up with an Em-shape barre chord, so it is the natural place to solo when the progression is rooted on the 6th string.

Box 2

CAGED Position 2 (Dm shape)

Frets 3–6

E Natural Minor Scale — CAGED Position 2 (Dm shape)Guitar fretboard pattern in E A D G B E tuning, frets 3 to 6. 6th string, E: fret 3 is G (degree b3); fret 5 is A (degree 4). 5th string, A: fret 3 is C (degree b6); fret 5 is D (degree b7). 4th string, D: fret 4 is F# (degree 2); fret 5 is G (degree b3). 3rd string, G: fret 4 is B (degree 5); fret 5 is C (degree b6). 2nd string, B: fret 3 is D (degree b7); fret 5 is E (degree 1, the root). 1st string, E: fret 3 is G (degree b3); fret 5 is A (degree 4).3frb34b6b72b35b6b71b34EADGBE

When to use it: The Dm-shape position. A connector more than a destination — use it to travel between the Em and Cm shapes.

Box 3

CAGED Position 3 (Cm shape)

Frets 5–8

E Natural Minor Scale — CAGED Position 3 (Cm shape)Guitar fretboard pattern in E A D G B E tuning, frets 5 to 8. 6th string, E: fret 5 is A (degree 4); fret 7 is B (degree 5); fret 8 is C (degree b6). 5th string, A: fret 5 is D (degree b7); fret 7 is E (degree 1, the root). 4th string, D: fret 5 is G (degree b3); fret 7 is A (degree 4). 3rd string, G: fret 5 is C (degree b6); fret 7 is D (degree b7). 2nd string, B: fret 5 is E (degree 1, the root); fret 7 is F# (degree 2); fret 8 is G (degree b3). 1st string, E: fret 5 is A (degree 4); fret 7 is B (degree 5); fret 8 is C (degree b6).5fr45b6b71b34b6b712b345b6EADGBE

When to use it: The Cm-shape position, root on the 5th string. Sits well for melodic playing in the middle of the neck.

Box 4

CAGED Position 4 (Am shape)

Frets 7–10

E Natural Minor Scale — CAGED Position 4 (Am shape)Guitar fretboard pattern in E A D G B E tuning, frets 7 to 10. 6th string, E: fret 7 is B (degree 5); fret 8 is C (degree b6); fret 10 is D (degree b7). 5th string, A: fret 7 is E (degree 1, the root); fret 9 is F# (degree 2); fret 10 is G (degree b3). 4th string, D: fret 7 is A (degree 4); fret 9 is B (degree 5); fret 10 is C (degree b6). 3rd string, G: fret 7 is D (degree b7); fret 9 is E (degree 1, the root). 2nd string, B: fret 7 is F# (degree 2); fret 8 is G (degree b3); fret 10 is A (degree 4). 1st string, E: fret 7 is B (degree 5); fret 8 is C (degree b6); fret 10 is D (degree b7).7fr5b6b712b345b6b712b345b6b7EADGBE

When to use it: The Am-shape position. Lines up with Am-shape barre chords — the second-most useful shape after the Em.

Box 5

CAGED Position 5 (Gm shape)

Frets 10–13

E Natural Minor Scale — CAGED Position 5 (Gm shape)Guitar fretboard pattern in E A D G B E tuning, frets 10 to 13. 6th string, E: fret 10 is D (degree b7); fret 12 is E (degree 1, the root). 5th string, A: fret 10 is G (degree b3); fret 12 is A (degree 4). 4th string, D: fret 10 is C (degree b6); fret 12 is D (degree b7). 3rd string, G: fret 11 is F# (degree 2); fret 12 is G (degree b3). 2nd string, B: fret 10 is A (degree 4); fret 12 is B (degree 5); fret 13 is C (degree b6). 1st string, E: fret 10 is D (degree b7); fret 12 is E (degree 1, the root).10frb71b34b6b72b345b6b71EADGBE

When to use it: The Gm-shape position. The biggest stretch of the five; learn it last, use it to close the loop up the neck.

The notes

7 notes, built off E with the formula 1 · 2 · ♭3 · 4 · 5 · ♭6 · ♭7. Flatten the 3rd, 6th and 7th of a major scale and you get natural minor. It shares a key signature with its relative major, which is why the two feel like the same room lit differently.

Tap any note to hear it on its own.

Chords built from this scale

Stack every other note of the scale and you get its seven diatonic chords. These are the chords that sound at home over this scale — a progression made only of these will never leave the key.

Diatonic chords of the E natural minor scale
DegreeChordNotesSeventhFunction
iEmE G BEm7tonic — everything resolves here
ii°FdimF A CFm75supertonic — unstable; usually passes straight to the dominant
IIIGG B DGmaj7mediant — relative-major colour
ivAmA C EAm7subdominant — the wistful, minor version of the lift away
vBmB D FBm7dominant — a softer, modal pull home
VICC E GCmaj7submediant — the relative major's home
VIIDD F AD7subtonic — a whole step below home, no pull

Common questions

What notes are in the E Natural Minor Scale?

The E natural minor scale has 7 notes: E, F#, G, A, B, C, D. The interval formula is 1–2–♭3–4–5–♭6–♭7, counted up from E.

What chords are in the E Natural Minor Scale?

The E natural minor scale builds seven diatonic chords: i Em, ii° F#dim, III G, iv Am, v Bm, VI C, VII D.

Where do I start on guitar?

Start with CAGED Position 1 (Em shape) in open position. It lands in open position for this key, so the open strings carry the low notes — easy to play, but the one shape you cannot slide to another key. The Em-shape position. Its root lines up with an Em-shape barre chord, so it is the natural place to solo when the progression is rooted on the 6th string.

Is the E Natural Minor Scale the same as the G Major Scale?

They use exactly the same notes — E, F#, G, A, B, C, D — but resolve to different home notes. Play the pattern thinking E and you hear the E natural minor scale; think G and the same shape becomes the G major scale.

Learn the theory behind it

The patterns above get your fingers moving. These explain what the notes are actually doing, so you can use the scale instead of just running it.