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Piano · minor major seventh

Em(maj7) Chord on Piano

Eb Minor-Major 7th is Eb, Gb, Bb, D — the 1-b3-5-7 pattern of a minor major seventh chord. There are 3 ways to play it on piano, ranked below from easiest to hardest.

Every voicing below is the same 4 notes in a different order. Root position is the one to learn first; the inversions exist to keep your hand still when you change chords.


Start hereRoot Position (RH)

Root position — the root is the lowest note. This is the sound in your head when you read the chord symbol, and the one to learn first.

C4C5D5Eb4Gb4Bb4
Press play to hear Ebm(maj7) the way this shape actually sounds.

Ways to voice it 3 voicings, easiest first

Same 4 notes in all of them. What changes is which one sits at the bottom — and how far your hand has to travel to get there.

  1. C4C5D5Eb4Gb4Bb4

    Way 1 of 3

    Root Position (RH)

    Easiest here· intermediate· the standard shape

    Root position — the root is the lowest note. This is the sound in your head when you read the chord symbol, and the one to learn first.

    Keys: Eb4 · Gb4 · Bb4 · D5

  2. C4C5D5Gb4Bb4Eb5

    Way 2 of 3

    1st Inversion (RH)

    intermediate

    First inversion — the 3rd (Gb) moves to the bottom. Reach for it when the chord before this one sat a step below: your hand barely travels.

    Keys: Gb4 · Bb4 · D5 · Eb5

  3. C4C5D5Bb4Eb5Gb5

    Way 3 of 3

    2nd Inversion (RH)

    intermediate

    Second inversion — the 5th (Bb) is in the bass. It leans forward instead of settling, which makes it a good passing chord.

    Keys: Bb4 · D5 · Eb5 · Gb5

What beginners get wrong

Moving in and out of it

The shape above: Root Position (RH).

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

Ebm(maj7) on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Guitar

Em(maj7) on guitar

1 voicing · easiest is advanced

Ukulele

Em(maj7) on ukulele

1 voicing · easiest is intermediate

Mandolin

Em(maj7) on mandolin

1 voicing · easiest is advanced

Banjo

Em(maj7) on banjo

1 voicing · easiest is advanced

Or see Eb Minor-Major 7th on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on piano.

E

Eb Major

Em

Eb Minor

Edim

Eb Diminished

Eaug

Eb Augmented

Esus2

Eb Suspended 2nd

Esus4

Eb Suspended 4th

Ebm(maj7) on Piano — questions people ask

What is the easiest way to play Ebm(maj7) on piano?

“Root Position (RH)” — which we rate intermediate — is the easiest Ebm(maj7) shape on piano. Root position — the root is the lowest note. This is the sound in your head when you read the chord symbol, and the one to learn first.

What notes are in the Eb Minor-Major 7th chord?

Eb Minor-Major 7th is Eb, Gb, Bb, D — the 1-b3-5-7 interval pattern of a minor major seventh chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play Ebm(maj7) on piano?

This page has 3 Ebm(maj7) voicings for piano, ranked from easiest to hardest: Root Position (RH), 1st Inversion (RH), 2nd Inversion (RH). They all sound like Ebm(maj7); the differences are how hard they are to hold and how high they sit.

What can I play instead of Ebm(maj7)?

The nearest stand-ins on piano that keep the same root are Ebsus4, Ebsus2, Eb. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play Ebm(maj7) on other instruments?

Yes. Ebm(maj7) is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on guitar, ukulele, mandolin, banjo.

Learn the theory behind Ebm(maj7)

The shape gets your fingers there. These explain why it sounds the way it does.

Functional Harmony: Three Roles, One Engine

What a seventh chord is for — tension, resolution, and the seat it takes in the key.

6 min read

The 12-Bar Blues — Three Chords, A Century of Hits

Seventh chords are the whole sound of the blues. Twelve bars is where to hear it.

7 min read

Major and Minor Scales — Built from Intervals, Felt in Songs

The flat third under all of this, and the scale it comes from.

5 min read

Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.