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Mandolin · major seventh

Emaj7 Chord on Mandolin

E Major 7th is E, G#, B, D# — the 1-3-5-7 pattern of a major seventh chord. There are 2 ways to play it on mandolin, ranked below from easiest to hardest.

There is no open Emaj7 shape on mandolin — every version sits up the neck. The one marked “Movable maj7 Shape (6th fret)” below is the friendliest grip, so start there.


Start hereMovable maj7 Shape (6th fret)

Sits at fret 6 — tighter and brighter than the low shapes, and high enough to keep out of the way of anyone playing the open version underneath.

6fr4123GDAE
Press play to hear Emaj7 the way this shape actually sounds.

Every way to play it 2 shapes, easiest first

Same chord in all of them. What changes is how much your hand has to do and where on the neck it sits.

  1. 6fr4123GDAE

    Way 1 of 2

    Movable maj7 Shape (6th fret)

    Easiest here· intermediate· the standard shape

    Sits at fret 6 — tighter and brighter than the low shapes, and high enough to keep out of the way of anyone playing the open version underneath.

  2. 9fr1134GDAE

    Way 2 of 2

    Movable Gmaj7 Shape (9th fret)

    intermediate

    Barre at fret 9 — the same movable idea, further up the neck: brighter, more compact, and easier to reach if you are already playing up there.

What beginners get wrong

Moving in and out of it

The shape above: Movable maj7 Shape (6th fret).

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

Emaj7 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Guitar

Emaj7 on guitar

2 voicings · easiest is intermediate

Piano

Emaj7 on piano

3 voicings · easiest is intermediate

Ukulele

Emaj7 on ukulele

2 voicings · easiest is intermediate

Bass

Emaj7 on bass

1 voicing · easiest is intermediate

Banjo

Emaj7 on banjo

1 voicing · easiest is advanced

Or see E Major 7th on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on mandolin.

E

E Major

Em

E Minor

Edim

E Diminished

Eaug

E Augmented

Esus2

E Suspended 2nd

Esus4

E Suspended 4th

Emaj7 on Mandolin — questions people ask

What is the easiest way to play Emaj7 on mandolin?

“Movable maj7 Shape (6th fret)” — which we rate intermediate — is the easiest Emaj7 shape on mandolin. Sits at fret 6 — tighter and brighter than the low shapes, and high enough to keep out of the way of anyone playing the open version underneath. There is no open Emaj7 on mandolin, so a barre is unavoidable; this is the least demanding one.

What notes are in the E Major 7th chord?

E Major 7th is E, G#, B, D# — the 1-3-5-7 interval pattern of a major seventh chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play Emaj7 on mandolin?

This page has 2 Emaj7 voicings for mandolin, ranked from easiest to hardest: Movable maj7 Shape (6th fret), Movable Gmaj7 Shape (9th fret). They all sound like Emaj7; the differences are how hard they are to hold and how high they sit.

What can I play instead of Emaj7?

The nearest stand-ins on mandolin that keep the same root are Esus4, Esus2, E. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play Emaj7 on other instruments?

Yes. Emaj7 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on guitar, piano, ukulele, bass, banjo.

Learn the theory behind Emaj7

The shape gets your fingers there. These explain why it sounds the way it does.

Barre Chords — The Wall Every Guitarist Climbs

This one asks for a barre. The article is the fix for the buzzing and the aching hand.

7 min read

Functional Harmony: Three Roles, One Engine

What a seventh chord is for — tension, resolution, and the seat it takes in the key.

6 min read

The 12-Bar Blues — Three Chords, A Century of Hits

Seventh chords are the whole sound of the blues. Twelve bars is where to hear it.

7 min read

Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.