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Guitar · minor major seventh

Gm(maj7) Chord on Guitar

G Minor-Major 7th is G, Bb, D, F# — the 1-b3-5-7 pattern of a minor major seventh chord. There are 2 ways to play it on guitar, ranked below from easiest to hardest.

There is no open Gm(maj7) shape on guitar — every version asks for a barre, which is exactly why this chord stops so many players. The one marked “E Shape Barre (3rd fret)” below is the friendliest grip, so start there.


Start hereE Shape Barre (3rd fret)

Barre at fret 3 — harder to hold than an open shape, but movable: slide it and you have every other minor major seventh chord.

143111EADGBE
E Shape Barre (3rd fret)
Press play to hear Gm(maj7) the way this shape actually sounds.

Every way to play it 2 shapes, easiest first

Same chord in all of them. What changes is how much your hand has to do and where on the neck it sits.

  1. 143111EADGBE
    E Shape Barre (3rd fret)

    Way 1 of 2

    E Shape Barre (3rd fret)

    Easiest here· advanced· the standard shape

    Barre at fret 3 — harder to hold than an open shape, but movable: slide it and you have every other minor major seventh chord.

  2. ×10fr14231EADGBE
    A Shape Barre (10th fret)

    Way 2 of 2

    A Shape Barre (10th fret)

    advanced

    Barre at fret 10 — the same movable idea, further up the neck: brighter, more compact, and easier to reach if you are already playing up there.

What beginners get wrong

Moving in and out of it

The shape above: E Shape Barre (3rd fret) — barred at fret 3.

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

Gm(maj7) on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Piano

Gm(maj7) on piano

3 voicings · easiest is intermediate

Ukulele

Gm(maj7) on ukulele

1 voicing · easiest is intermediate

Mandolin

Gm(maj7) on mandolin

1 voicing · easiest is advanced

Banjo

Gm(maj7) on banjo

1 voicing · easiest is advanced

Or see G Minor-Major 7th on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on guitar.

G

G Major

Gm

G Minor

Gdim

G Diminished

Gaug

G Augmented

Gsus2

G Suspended 2nd

Gsus4

G Suspended 4th

Gm(maj7) on Guitar — questions people ask

What is the easiest way to play Gm(maj7) on guitar?

“E Shape Barre (3rd fret)” — which we rate advanced — is the easiest Gm(maj7) shape on guitar. Barre at fret 3 — harder to hold than an open shape, but movable: slide it and you have every other minor major seventh chord. There is no open Gm(maj7) on guitar, so a barre is unavoidable; this is the least demanding one.

What notes are in the G Minor-Major 7th chord?

G Minor-Major 7th is G, Bb, D, F# — the 1-b3-5-7 interval pattern of a minor major seventh chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play Gm(maj7) on guitar?

This page has 2 Gm(maj7) voicings for guitar, ranked from easiest to hardest: E Shape Barre (3rd fret), A Shape Barre (10th fret). They all sound like Gm(maj7); the differences are how hard they are to hold and how high they sit.

What can I play instead of Gm(maj7)?

The nearest stand-ins on guitar that keep the same root are Gsus4, Gsus2, G. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play Gm(maj7) on other instruments?

Yes. Gm(maj7) is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on piano, ukulele, mandolin, banjo.

Learn the theory behind Gm(maj7)

The shape gets your fingers there. These explain why it sounds the way it does.

Barre Chords — The Wall Every Guitarist Climbs

This one asks for a barre. The article is the fix for the buzzing and the aching hand.

7 min read

Functional Harmony: Three Roles, One Engine

What a seventh chord is for — tension, resolution, and the seat it takes in the key.

6 min read

The 12-Bar Blues — Three Chords, A Century of Hits

Seventh chords are the whole sound of the blues. Twelve bars is where to hear it.

7 min read

Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.