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Guitar · minor seventh

C♯m7 Chord on Guitar

C# Minor 7th is C#, E, G#, B — the 1-b3-5-b7 pattern of a minor seventh chord. There are 2 ways to play it on guitar, ranked below from easiest to hardest.

There is no open C#m7 shape on guitar — every version asks for a barre, which is exactly why this chord stops so many players. The one marked “A Shape Barre (4th fret)” below is the friendliest grip, so start there.


Start here — A Shape Barre (4th fret)

Barre at fret 4 — harder to hold than an open shape, but movable: slide it and you have every other minor seventh chord.

×4fr13121EADGBE
A Shape Barre (4th fret)
Press play to hear C#m7 the way this shape actually sounds.

Every way to play it — 2 shapes, easiest first

Same chord in all of them. What changes is how much your hand has to do and where on the neck it sits.

  1. ×4fr13121EADGBE
    A Shape Barre (4th fret)

    Way 1 of 2

    A Shape Barre (4th fret)

    Easiest here· intermediate· the standard shape

    Barre at fret 4 — harder to hold than an open shape, but movable: slide it and you have every other minor seventh chord.

  2. 9fr131111EADGBE
    E Shape Barre (9th fret)

    Way 2 of 2

    E Shape Barre (9th fret)

    intermediate

    Barre at fret 9 — the same movable idea, further up the neck: brighter, more compact, and easier to reach if you are already playing up there.

What beginners get wrong

Moving in and out of it

The shape above: A Shape Barre (4th fret) — barred at fret 4.

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

C#m7 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Piano

C♯m7 on piano

3 voicings · easiest is intermediate

Ukulele

C♯m7 on ukulele

2 voicings · easiest is beginner

Bass

C♯m7 on bass

1 voicing · easiest is intermediate

Mandolin

C♯m7 on mandolin

2 voicings · easiest is intermediate

Banjo

C♯m7 on banjo

1 voicing · easiest is advanced

Or see C# Minor 7th on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on guitar.

C♯m

C# Minor

C♯dim

C# Diminished

C♯m6

C# Minor 6th

C♯m(maj7)

C# Minor-Major 7th

C♯dim7

C# Diminished 7th

C♯m7♭5

C# Half-Diminished 7th (m7♭5)

C#m7 on Guitar — questions people ask

What is the easiest way to play C#m7 on guitar?

“A Shape Barre (4th fret)” — which we rate intermediate — is the easiest C#m7 shape on guitar. Barre at fret 4 — harder to hold than an open shape, but movable: slide it and you have every other minor seventh chord. There is no open C#m7 on guitar, so a barre is unavoidable; this is the least demanding one.

What notes are in the C# Minor 7th chord?

C# Minor 7th is C#, E, G#, B — the 1-b3-5-b7 interval pattern of a minor seventh chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play C#m7 on guitar?

This page has 2 C#m7 voicings for guitar, ranked from easiest to hardest: A Shape Barre (4th fret), E Shape Barre (9th fret). They all sound like C#m7; the differences are how hard they are to hold and how high they sit.

What can I play instead of C#m7?

The nearest stand-ins on guitar that keep the same root are C#m, C#dim, C#m6. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play C#m7 on other instruments?

Yes. C#m7 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on piano, ukulele, bass, mandolin, banjo.

Learn the theory behind C#m7

The shape gets your fingers there. These explain why it sounds the way it does.

Barre Chords — The Wall Every Guitarist Climbs

This one asks for a barre. The article is the fix for the buzzing and the aching hand.

7 min read

Functional Harmony: Three Roles, One Engine

What a seventh chord is for — tension, resolution, and the seat it takes in the key.

6 min read

The 12-Bar Blues — Three Chords, A Century of Hits

Seventh chords are the whole sound of the blues. Twelve bars is where to hear it.

7 min read

Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.