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Chord · E Minor (1st Inversion)

Em/3 Chord

Em/3 is G, B and Eminor triad with the third in the bass.

Hear it

Em/3 on every instrument

The same 3 notes, 1 sets of hands. Open a diagram for alternate shapes, audio and the mistakes to avoid.

CDEFGAB
Piano1 voicing

What Em/3 is made of

E Minor (1st Inversion) (E minor (1st inversion)) is built from the notes G, B, E, with the interval pattern b3, 5, 1. A common minor (1st inversion) chord across many styles.

Stack b3, 5 and 1 on a root of E and you get G, B and E. That interval recipe is what makes the chord a minor first inversion chord — move the same shape to another root and the character travels with it, which is why Cm/3 sounds like a transposed Em/3.

Minor (1st Inversion): Minor triad with the third in the bass.

Spelling: the notes above are written the way a score would write them, not simplified to the nearest piano key. Every tone here lands on its own letter — no accidentals needed.

Keys that contain Em/3

All 3 notes sit inside the scale of 6 keys. The roman numeral marks the degree the chord is rooted on.

Other chords on E

Same root, different colour.

The same minor first inversion shape, moved

The identical interval recipe, built on other roots.

Questions people ask about Em/b3

What notes are in the Em/b3 chord?
Em/b3 is made of G, B and E — the b3, 5 and 1 degrees of a minor first inversion chord built on E.
What keys use the Em/b3 chord?
Every note of Em/b3 belongs to 6 keys: C Major (iii), G Major (vi), D Major (ii), A Minor (v), E Minor (i), B Minor (iv). The roman numeral is the scale degree the chord is rooted on.
How do you play Em/b3 on guitar and piano?
This page shows Em/b3 on piano — 1 voicings in total. Each diagram links to the full instrument page with alternate shapes, audio and common mistakes.

Learn the theory behind it

Why Em/3 behaves the way it does — the guides that explain the chord instead of just spelling it.

Chord Inversions and Slash Chords — Same Notes, Different AttitudeSame notes, different bass note — what the slash in the name is actually doing.5 min readVoice Leading — Hold What You Can, Move Only What You MustInversions exist so your fingers move less between chords. This is the technique behind them.6 min readFunctional Harmony: Three Roles, One EngineAn inverted chord still has a job in the key. Here is how to hear it.6 min read