Bass · minor sixth
Gm6 Chord on Bass
G Minor 6th is G, Bb, D, E — the 1-b3-5-6 pattern of a minor sixth chord. Here is the shape, the audio, and what usually goes wrong.
There is no open Gm6 on bass. The one shape below sits up the neck and is rated advanced.
Start here — Root-b3-5-6 Shape (2nd fret)
Fingered low on the neck with no barre — a useful middle step between the open shape and the movable ones.
What beginners get wrong
Moving in and out of it
The shape above: Root-b3-5-6 Shape (2nd fret).
Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.
Gm6 on other instruments
Same notes, different hands. Every link below is a real page with diagrams and audio.
Chords next door
Same root, different colour — and all of them playable on bass.
Gm6 on Bass — questions people ask
What is the easiest way to play Gm6 on bass?
“Root-b3-5-6 Shape (2nd fret)” — which we rate advanced — is the easiest Gm6 shape on bass. Fingered low on the neck with no barre — a useful middle step between the open shape and the movable ones. There is no open Gm6 on bass, so a barre is unavoidable; this is the least demanding one.
What notes are in the G Minor 6th chord?
G Minor 6th is G, Bb, D, E — the 1-b3-5-6 interval pattern of a minor sixth chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.
What can I play instead of Gm6?
The nearest stand-ins on bass that keep the same root are Gsus4, Gsus2, G. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.
Can I play Gm6 on other instruments?
Yes. Gm6 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on guitar, piano, ukulele, mandolin, banjo.
Learn the theory behind Gm6
The shape gets your fingers there. These explain why it sounds the way it does.
Functional Harmony: Three Roles, One Engine
What a seventh chord is for — tension, resolution, and the seat it takes in the key.
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The 12-Bar Blues — Three Chords, A Century of Hits
Seventh chords are the whole sound of the blues. Twelve bars is where to hear it.
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Major and Minor Scales — Built from Intervals, Felt in Songs
The flat third under all of this, and the scale it comes from.
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