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Piano · augmented

Daug Chord on Piano

Db Augmented is Db, F, A — the 1-3-#5 pattern of a augmented chord. There are 3 ways to play it on piano, ranked below from easiest to hardest.

Every voicing below is the same 3 notes in a different order. Root position is the one to learn first; the inversions exist to keep your hand still when you change chords.


Start hereRoot Position (RH)

Root position — the root is the lowest note. This is the sound in your head when you read the chord symbol, and the one to learn first.

C4F4A4C5Db4
Press play to hear Dbaug the way this shape actually sounds.

Ways to voice it 3 voicings, easiest first

Same 3 notes in all of them. What changes is which one sits at the bottom — and how far your hand has to travel to get there.

  1. C4F4A4C5Db4

    Way 1 of 3

    Root Position (RH)

    Easiest here· intermediate· the standard shape

    Root position — the root is the lowest note. This is the sound in your head when you read the chord symbol, and the one to learn first.

    Keys: Db4 · F4 · A4

  2. C4F4A4C5Db5

    Way 2 of 3

    1st Inversion (RH)

    intermediate

    First inversion — the 3rd (F) moves to the bottom. Reach for it when the chord before this one sat a step below: your hand barely travels.

    Keys: F4 · A4 · Db5

  3. C4A4C5F5Db5

    Way 3 of 3

    2nd Inversion (RH)

    intermediate

    Second inversion — the 5th (A) is in the bass. It leans forward instead of settling, which makes it a good passing chord.

    Keys: A4 · Db5 · F5

What beginners get wrong

Moving in and out of it

The shape above: Root Position (RH).

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

Dbaug on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Guitar

Daug on guitar

2 voicings · easiest is advanced

Ukulele

Daug on ukulele

1 voicing · easiest is intermediate

Bass

Daug on bass

1 voicing · easiest is advanced

Mandolin

Daug on mandolin

1 voicing · easiest is intermediate

Banjo

Daug on banjo

1 voicing · easiest is advanced

Or see Db Augmented on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on piano.

D

Db Major

Dsus2

Db Suspended 2nd

Dsus4

Db Suspended 4th

D5

Db Power Chord

D6

Db Major 6th

D6/9

Db 6/9

Dbaug on Piano — questions people ask

What is the easiest way to play Dbaug on piano?

“Root Position (RH)” — which we rate intermediate — is the easiest Dbaug shape on piano. Root position — the root is the lowest note. This is the sound in your head when you read the chord symbol, and the one to learn first.

What notes are in the Db Augmented chord?

Db Augmented is Db, F, A — the 1-3-#5 interval pattern of a augmented chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play Dbaug on piano?

This page has 3 Dbaug voicings for piano, ranked from easiest to hardest: Root Position (RH), 1st Inversion (RH), 2nd Inversion (RH). They all sound like Dbaug; the differences are how hard they are to hold and how high they sit.

What can I play instead of Dbaug?

The nearest stand-ins on piano that keep the same root are Db5, Dbsus4, Dbsus2. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play Dbaug on other instruments?

Yes. Dbaug is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on guitar, ukulele, bass, mandolin, banjo.

Learn the theory behind Dbaug

The shape gets your fingers there. These explain why it sounds the way it does.

Borrowed Chords and Modal Mixture — Stealing from Parallel Keys

The raised fifth comes from outside the key. This is where chords like it are borrowed from.

7 min read

Functional Harmony: Three Roles, One Engine

That sharpened fifth is a pull toward the next chord — here is the mechanism.

6 min read

Intervals — The Only Music Theory You Actually Need

Two stacked major thirds, and the symmetry that makes it feel homeless.

5 min read

Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.