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Piano · half diminished seventh

Bm75 Chord on Piano

B Half-Diminished 7th (m7♭5) is B, D, F, A — the 1-b3-b5-b7 pattern of a half diminished seventh chord. There are 3 ways to play it on piano, ranked below from easiest to hardest.

Every voicing below is the same 4 notes in a different order. Root position is the one to learn first; the inversions exist to keep your hand still when you change chords.


Start hereRoot Position (RH)

Root position — the root is the lowest note. This is the sound in your head when you read the chord symbol, and the one to learn first.

C4B4C5D5F5A5
Press play to hear Bm7b5 the way this shape actually sounds.

Ways to voice it 3 voicings, easiest first

Same 4 notes in all of them. What changes is which one sits at the bottom — and how far your hand has to travel to get there.

  1. C4B4C5D5F5A5

    Way 1 of 3

    Root Position (RH)

    Easiest here· intermediate· the standard shape

    Root position — the root is the lowest note. This is the sound in your head when you read the chord symbol, and the one to learn first.

    Keys: B4 · D5 · F5 · A5

  2. C4D4F4A4B4C5

    Way 2 of 3

    1st Inversion (RH)

    intermediate

    First inversion — the 3rd (D) moves to the bottom. Reach for it when the chord before this one sat a step below: your hand barely travels.

    Keys: D4 · F4 · A4 · B4

  3. C4F4A4B4C5D5

    Way 3 of 3

    2nd Inversion (RH)

    intermediate

    Second inversion — the 5th (F) is in the bass. It leans forward instead of settling, which makes it a good passing chord.

    Keys: F4 · A4 · B4 · D5

What beginners get wrong

Moving in and out of it

The shape above: Root Position (RH).

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

Bm7b5 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Guitar

Bm75 on guitar

2 voicings · easiest is intermediate

Ukulele

Bm75 on ukulele

1 voicing · easiest is intermediate

Bass

Bm75 on bass

1 voicing · easiest is advanced

Mandolin

Bm75 on mandolin

1 voicing · easiest is intermediate

Banjo

Bm75 on banjo

1 voicing · easiest is advanced

Or see B Half-Diminished 7th (m7♭5) on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on piano.

B

B Major

Bm

B Minor

Bdim

B Diminished

Baug

B Augmented

Bsus2

B Suspended 2nd

Bsus4

B Suspended 4th

Bm7b5 on Piano — questions people ask

What is the easiest way to play Bm7b5 on piano?

“Root Position (RH)” — which we rate intermediate — is the easiest Bm7b5 shape on piano. Root position — the root is the lowest note. This is the sound in your head when you read the chord symbol, and the one to learn first.

What notes are in the B Half-Diminished 7th (m7♭5) chord?

B Half-Diminished 7th (m7♭5) is B, D, F, A — the 1-b3-b5-b7 interval pattern of a half diminished seventh chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play Bm7b5 on piano?

This page has 3 Bm7b5 voicings for piano, ranked from easiest to hardest: Root Position (RH), 1st Inversion (RH), 2nd Inversion (RH). They all sound like Bm7b5; the differences are how hard they are to hold and how high they sit.

What can I play instead of Bm7b5?

The nearest stand-ins on piano that keep the same root are Bsus4, Bsus2, B. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play Bm7b5 on other instruments?

Yes. Bm7b5 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on guitar, ukulele, bass, mandolin, banjo.

Learn the theory behind Bm7b5

The shape gets your fingers there. These explain why it sounds the way it does.

Functional Harmony: Three Roles, One Engine

Diminished chords are almost always doing a job. This explains which one.

6 min read

Cadences — The Four Ways a Phrase Ends

Where all that tension goes — how the chord resolves into the next one.

4 min read

Voice Leading — Hold What You Can, Move Only What You Must

Half-steps do the work here. Voice leading is how you find them.

6 min read

Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.