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Guitar · diminished seventh

Edim7 Chord on Guitar

Eb Diminished 7th is Eb, Gb, A, C — the 1-b3-b5-bb7 pattern of a diminished seventh chord. There are 2 ways to play it on guitar, ranked below from easiest to hardest.

There is no open Ebdim7 shape on guitar — every version sits up the neck. The one marked “Movable Root-5 Shape (5th fret)” below is the friendliest grip, so start there.


Start hereMovable Root-5 Shape (5th fret)

Sits at fret 5 — tighter and brighter than the low shapes, and high enough to keep out of the way of anyone playing the open version underneath.

××5fr2314EADGBE
Movable Root-5 Shape (5th fret)
Press play to hear Ebdim7 the way this shape actually sounds.

Every way to play it 2 shapes, easiest first

Same chord in all of them. What changes is how much your hand has to do and where on the neck it sits.

  1. ××5fr2314EADGBE
    Movable Root-5 Shape (5th fret)

    Way 1 of 2

    Movable Root-5 Shape (5th fret)

    Easiest here· intermediate· the standard shape

    Sits at fret 5 — tighter and brighter than the low shapes, and high enough to keep out of the way of anyone playing the open version underneath.

  2. ××10fr2314EADGBE
    Movable Root-6 Shape (10th fret)

    Way 2 of 2

    Movable Root-6 Shape (10th fret)

    intermediate

    Sits at fret 10 — tighter and brighter than the low shapes, and high enough to keep out of the way of anyone playing the open version underneath.

What beginners get wrong

Moving in and out of it

The shape above: Movable Root-5 Shape (5th fret).

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

Ebdim7 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Piano

Edim7 on piano

3 voicings · easiest is intermediate

Ukulele

Edim7 on ukulele

1 voicing · easiest is intermediate

Bass

Edim7 on bass

1 voicing · easiest is advanced

Mandolin

Edim7 on mandolin

1 voicing · easiest is intermediate

Banjo

Edim7 on banjo

1 voicing · easiest is advanced

Or see Eb Diminished 7th on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on guitar.

E

Eb Major

Em

Eb Minor

Edim

Eb Diminished

Eaug

Eb Augmented

Esus2

Eb Suspended 2nd

Esus4

Eb Suspended 4th

Ebdim7 on Guitar — questions people ask

What is the easiest way to play Ebdim7 on guitar?

“Movable Root-5 Shape (5th fret)” — which we rate intermediate — is the easiest Ebdim7 shape on guitar. Sits at fret 5 — tighter and brighter than the low shapes, and high enough to keep out of the way of anyone playing the open version underneath. There is no open Ebdim7 on guitar, so a barre is unavoidable; this is the least demanding one.

What notes are in the Eb Diminished 7th chord?

Eb Diminished 7th is Eb, Gb, A, C — the 1-b3-b5-bb7 interval pattern of a diminished seventh chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play Ebdim7 on guitar?

This page has 2 Ebdim7 voicings for guitar, ranked from easiest to hardest: Movable Root-5 Shape (5th fret), Movable Root-6 Shape (10th fret). They all sound like Ebdim7; the differences are how hard they are to hold and how high they sit.

What can I play instead of Ebdim7?

The nearest stand-ins on guitar that keep the same root are Ebsus4, Ebsus2, Eb. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play Ebdim7 on other instruments?

Yes. Ebdim7 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on piano, ukulele, bass, mandolin, banjo.

Learn the theory behind Ebdim7

The shape gets your fingers there. These explain why it sounds the way it does.

Functional Harmony: Three Roles, One Engine

Diminished chords are almost always doing a job. This explains which one.

6 min read

Cadences — The Four Ways a Phrase Ends

Where all that tension goes — how the chord resolves into the next one.

4 min read

Voice Leading — Hold What You Can, Move Only What You Must

Half-steps do the work here. Voice leading is how you find them.

6 min read

Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.