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Guitar · diminished seventh

Ddim7 Chord on Guitar

D Diminished 7th is D, F, Ab, Cb — the 1-b3-b5-bb7 pattern of a diminished seventh chord. There are 2 ways to play it on guitar, ranked below from easiest to hardest.

There is no open Ddim7 shape on guitar — every version sits up the neck. The one marked “Movable Root-5 Shape (4th fret)” below is the friendliest grip, so start there.


Start hereMovable Root-5 Shape (4th fret)

Fingered low on the neck with no barre — a useful middle step between the open shape and the movable ones.

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Movable Root-5 Shape (4th fret)
Press play to hear Ddim7 the way this shape actually sounds.

Every way to play it 2 shapes, easiest first

Same chord in all of them. What changes is how much your hand has to do and where on the neck it sits.

  1. ××4fr2314EADGBE
    Movable Root-5 Shape (4th fret)

    Way 1 of 2

    Movable Root-5 Shape (4th fret)

    Easiest here· intermediate· the standard shape

    Fingered low on the neck with no barre — a useful middle step between the open shape and the movable ones.

  2. ××9fr2314EADGBE
    Movable Root-6 Shape (9th fret)

    Way 2 of 2

    Movable Root-6 Shape (9th fret)

    intermediate

    Sits at fret 9 — tighter and brighter than the low shapes, and high enough to keep out of the way of anyone playing the open version underneath.

What beginners get wrong

Moving in and out of it

The shape above: Movable Root-5 Shape (4th fret).

Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.

Ddim7 on other instruments

Same notes, different hands. Every link below is a real page with diagrams and audio.

Piano

Ddim7 on piano

3 voicings · easiest is intermediate

Ukulele

Ddim7 on ukulele

1 voicing · easiest is intermediate

Bass

Ddim7 on bass

1 voicing · easiest is advanced

Mandolin

Ddim7 on mandolin

1 voicing · easiest is intermediate

Banjo

Ddim7 on banjo

1 voicing · easiest is advanced

Or see D Diminished 7th on every instrument at once.

Chords next door

Same root, different colour — and all of them playable on guitar.

D

D Major

Dm

D Minor

Ddim

D Diminished

Daug

D Augmented

Dsus2

D Suspended 2nd

Dsus4

D Suspended 4th

Ddim7 on Guitar — questions people ask

What is the easiest way to play Ddim7 on guitar?

“Movable Root-5 Shape (4th fret)” — which we rate intermediate — is the easiest Ddim7 shape on guitar. Fingered low on the neck with no barre — a useful middle step between the open shape and the movable ones. There is no open Ddim7 on guitar, so a barre is unavoidable; this is the least demanding one.

What notes are in the D Diminished 7th chord?

D Diminished 7th is D, F, Ab, Cb — the 1-b3-b5-bb7 interval pattern of a diminished seventh chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.

How many ways can you play Ddim7 on guitar?

This page has 2 Ddim7 voicings for guitar, ranked from easiest to hardest: Movable Root-5 Shape (4th fret), Movable Root-6 Shape (9th fret). They all sound like Ddim7; the differences are how hard they are to hold and how high they sit.

What can I play instead of Ddim7?

The nearest stand-ins on guitar that keep the same root are Dsus4, Dsus2, D. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.

Can I play Ddim7 on other instruments?

Yes. Ddim7 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on piano, ukulele, bass, mandolin, banjo.

Learn the theory behind Ddim7

The shape gets your fingers there. These explain why it sounds the way it does.

Functional Harmony: Three Roles, One Engine

Diminished chords are almost always doing a job. This explains which one.

6 min read

Cadences — The Four Ways a Phrase Ends

Where all that tension goes — how the chord resolves into the next one.

4 min read

Voice Leading — Hold What You Can, Move Only What You Must

Half-steps do the work here. Voice leading is how you find them.

6 min read

Written and checked by Jake Dahn. Every voicing on this page is re-derived from the instrument’s tuning before it is published, so the diagram and the audio always agree. No ads, no sign-up, no paywall.