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Chord · F# Half-Diminished 7th (m7♭5)

Fm75 Chord

Fm75 is F#, A, C and Ethe ii in a minor ii-V-i.

Hear it

Fm75 on every instrument

The same 4 notes, 6 sets of hands. Open a diagram for alternate shapes, audio and the mistakes to avoid.

××1211EADGBE
Guitar2 voicings
CDEFGAB
Piano3 voicings
8fr2314GCEA
Ukulele1 voicing
1211EADG
Bass1 voicing
7fr3142GDAE
Mandolin1 voicing
×7fr1314GDGBD
Banjo1 voicing

What Fm75 is made of

F# Half-Diminished 7th (m7♭5) (F# half-diminished 7th (m7♭5)) is built from the notes F#, A, C, E, with the interval pattern 1, b3, b5, b7. A common half-diminished 7th (m7♭5) chord across many styles.

Stack 1, b3, b5 and b7 on a root of F and you get F#, A, C and E. That interval recipe is what makes the chord a half diminished seventh chord — move the same shape to another root and the character travels with it, which is why Cm75 sounds like a transposed Fm75.

Half-Diminished 7th (m7♭5): The ii in a minor ii-V-i.

Spelling: the notes above are written the way a score would write them, not simplified to the nearest piano key. That is why this chord is spelled with F rather than its enharmonic equivalent.

Keys that contain Fm75

All 4 notes sit inside the scale of 2 keys. The roman numeral marks the degree the chord is rooted on.

Other chords on F

Same root, different colour.

The same half diminished seventh shape, moved

The identical interval recipe, built on other roots.

Questions people ask about F#m7b5

What notes are in the F#m7b5 chord?
F#m7b5 is made of F#, A, C and E — the 1, b3, b5 and b7 degrees of a half diminished seventh chord built on F#.
What keys use the F#m7b5 chord?
Every note of F#m7b5 belongs to 2 keys: G Major (vii°), E Minor (ii°). The roman numeral is the scale degree the chord is rooted on.
How do you play F#m7b5 on guitar and piano?
This page shows F#m7b5 on guitar, piano, ukulele, bass, mandolin and banjo — 9 voicings in total. Each diagram links to the full instrument page with alternate shapes, audio and common mistakes.
Is F#m7b5 the same as Gbm7b5?
Yes. F#m7b5 and Gbm7b5 are enharmonic — identical pitches written two different ways. Which spelling you use depends on the key you are in; F#m7b5 is the spelling this site treats as canonical.

Learn the theory behind it

Why Fm75 behaves the way it does — the guides that explain the chord instead of just spelling it.

Barre Chords — The Wall Every Guitarist ClimbsThis one asks for a barre. The article is the fix for the buzzing and the aching hand.7 min readFunctional Harmony: Three Roles, One EngineDiminished chords are almost always doing a job. This explains which one.6 min readCadences — The Four Ways a Phrase EndsWhere all that tension goes — how the chord resolves into the next one.4 min read