Chord Progression
vi-V-IV-V chord progression
a.k.a. EDM Drop
EDM-loop standard.
The shape
vi — V — IV — V
In real keys
The chords, key by key.
Built on the major scale, so it lives in the 15 major keys. Every chord below links to its own page — shapes on six instruments, audio, and the mistakes to avoid. Hit play to hear the whole cycle.
All 15 keys
Need a key that is not listed? Use the transposer.
Analysis
What each numeral is doing.
Roman numerals name a chord by its position in the key rather than by its letter, which is why one progression works in every key. Uppercase is major, lowercase is minor, ° is diminished, ø is half-diminished, and a leading ♭ lowers the root a semitone.
- vi
Submediant
The relative minor. Same notes as the tonic, opposite mood.
- V
Dominant
Maximum tension. The leading tone inside it pulls hard back to the tonic.
- IV
Subdominant
The step away. Moves you off home without demanding a resolution.
Heard it before
Songs built on vi-V-IV-V.
- various EDM
Why it works
The reason it sticks.
EDM-loop standard. The memorable part is the motion: each chord pulls toward the next in a way that feels both surprising and inevitable, and the cycle closes cleanly enough that you can loop it for three minutes without anyone getting bored.
Once the vi-V-IV-V pattern is in your ear you will start hearing it everywhere. That is not a coincidence — writers reach for it because the tension-and-release shape is doing the emotional work before the melody even arrives. Change the key and nothing about that changes; only the letters do.
FAQ
Questions people actually ask.
What is the vi-V-IV-V Chord Progression?
vi-V-IV-V is a progression built on the vi, V, IV, V scale degrees of any major key. EDM-loop standard.
What are the vi-V-IV-V chords in C Major?
In C Major the progression is Am – G – F – G. The same shape transposes to all 15 major keys.
Which songs use the vi-V-IV-V progression?
various EDM all use the vi-V-IV-V progression in some form.
Is the vi-V-IV-V progression hard to play?
Difficulty: beginner. The 4-bar cycle repeats predictably, so once the chord shapes are under your fingers the progression flows on its own.
Can I transpose vi-V-IV-V to another key?
Yes — that is the point of roman-numeral analysis. Every key on this page is the same progression; pick the one that suits your voice or your open chords.