Bass · suspended fourth
F♯sus4 Chord on Bass
F# Suspended 4th is F#, B, C# — the 1-4-5 pattern of a suspended fourth chord. Here is the shape, the audio, and what usually goes wrong.
There is no open F#sus4 on bass. The one shape below sits up the neck and is rated intermediate.
Start here — Root-4-5 Shape (2nd fret)
Fingered low on the neck with no barre — a useful middle step between the open shape and the movable ones.
What beginners get wrong
Moving in and out of it
The shape above: Root-4-5 Shape (2nd fret).
Listening: each shape above has its own play button, and each one plays the notes that shape actually produces — not a generic triad.
F#sus4 on other instruments
Same notes, different hands. Every link below is a real page with diagrams and audio.
Chords next door
Same root, different colour — and all of them playable on bass.
F#sus4 on Bass — questions people ask
What is the easiest way to play F#sus4 on bass?
“Root-4-5 Shape (2nd fret)” — which we rate intermediate — is the easiest F#sus4 shape on bass. Fingered low on the neck with no barre — a useful middle step between the open shape and the movable ones. There is no open F#sus4 on bass, so a barre is unavoidable; this is the least demanding one.
What notes are in the F# Suspended 4th chord?
F# Suspended 4th is F#, B, C# — the 1-4-5 interval pattern of a suspended fourth chord. Every voicing on this page uses those notes and nothing else; they just appear in a different order and octave.
What can I play instead of F#sus4?
The nearest stand-ins on bass that keep the same root are F#5, F#sus2, F#. They keep the root and the fifth and only change what sits in the middle, so most songs still work — but check the swap against the melody, because the note you removed may be the one the tune is singing.
Can I play F#sus4 on other instruments?
Yes. F#sus4 is the same set of notes everywhere; only the fingering changes. This site has diagrams and audio for it on guitar, piano, ukulele, mandolin, banjo.
Learn the theory behind F#sus4
The shape gets your fingers there. These explain why it sounds the way it does.
Chord Inversions and Slash Chords — Same Notes, Different Attitude
Suspending or adding a tone is a voicing decision, the same kind as an inversion or a slash chord.
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Chord Progressions Explained
These chords earn their keep inside a progression, leaning on the plain chord that follows.
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Intervals — The Only Music Theory You Actually Need
Which degree got swapped in, and what that one interval changes.
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